Apologies for the delay between posts, but i’ve been super busy with the finishing stages of completing production on Shavano‘s upcoming new album Progressive Energy Transfer (among various other things). Now, on to the topic!
I spend a good deal of time listening to music and occasionally take stabs at optimizing the experience. A recent subwoofer upgrade to a nicer one i snabbed at auction for super cheap is one example. Another example is fine-tuning my Desktop PC music playback experience.
Lately i have taken quite strongly to foobar2000 as an exquisite audio playback experience, as it is highly customizable and of utmost quality, but feels quite approachable. And also it’s totally free.
Having recently optimized my foobar interface to highly satisfying degree, i figured i’d share it with you / the world. You can use it as-is, or (as i would recommend) spend some time tweaking it to your personal liking, perhaps removing some elements, moving things around, or adding features.
OLD NEW IDENTITY In case you haven’t heard the news, Brian Funk is no longer going by the name AfroDJMac. You can hear his thoughts on the evolution to this “new” identity at his podcast episode here.
MONIKERS CAN BE AWKWARD I recall, when i appeared on his podcast for episode 13, joking briefly about the awkwardness of monikers. So from my perspective, this shift has been a long time coming and is totally sensible. HOWEVER…. at the time it happened we were smack dab in the middle of the process of releasing a series of ADM packs, epic agglomerations of his instruments, collected into organized, self-installing, themed ableton live packs, ideal for satiating completionists who desire to access to the catalog of devices in the easiest manner possible.
-AutoAdjustMacroMappingRange will make it so that when you map a parameter to a macro control, the current value becomes the minimum value of the newly-created mapping (rather than 0). I prefer enabling this option because it streamlines workflow by helping to map macros faster, saving the step of typing in the minimum value when it is already in place.
With -AutoAdjustMacroMappingRangeoff, when mapping a parameter to a macro control, it will always result in a range of “min” to “max”, ragardless of the current position.
Say i want to map a parameter to a macro, and i want it to range specifically from 37 to 127.
With -AutoAdjustMacroMappingRange set to off, i would first have to map the parameter, click “map”, and then edit the minimum value to be 37.
However, with -AutoAdjustMacroMappingRange set to on instead, by mapping it, the minimum value will automatically be set to the current value (in this case 37), while the maximum will default to 127.
For cases where the maximum is meant to be 127, this reduces the mapping process to a single quick step, without even needing to open map mode. Other types of mappings might still require turning on map mode to adjust the values, but will still save a step of action if you map it while the current value matches one of the target values.
The unprocessed screengrab below demonstrates various mapping strategies, depending on what you want the minimums and maximums to be.
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NOTE: i believe that a recent update of Live 10 enables AutoAdjustMacroMappingRange by default, whereas in previous versions it was off unless you enabled it manually. Either way, it’s handy to know that you can change it around when desired. Just remember that if you do change it, you’ll have to restart live for the change to take effect (i think).
“How the heck do i implement this?” you might ask. To answer that and for more swag info about Ableton Live’s mysterious Options.txt, Madeleine Bloom’s series on the topic is highly recommended.
You may have heard many varying descriptions of the difference between track compression and bus compression, usually including vaguely-defined, mysterious terms like “punch” and “glue” which don’t really help us understand anything.
Well, i have a kinda dorky yet effective way to think of the difference between track and bus (aka buss) compression for you. Continue reading →
Heya. Just letting you know that the PerforModule Dephaultz pack for Ableton Live has been updated to incorporate Live 10.1’s new features. If you have previously bought the pack at Isotonik Studios, you will have already received an email about the update. If you haven’t purchased the pack yet, you can grab it secure in the knowledge that you’ll retain access to all future updates. Live 9 user? No problem. If you plan to upgrade to Live 10 later on, you can at any point download and upgrade your pack to the Live 10 version. Sweet, huh?
With the modern era of digital capabilities to re-tune recorded material, almost all music you hear nowadays has “perfect” tuning on all of the instruments and vocals. But what does this mean, exactly?
Generally, this tuning is based on equal temperament. But is equal temperament the most “perfect” tuning for absolutely all musical situations? I say… nope.