“DynaMixing One”

DynaMixing One? What the heck?
The DynaMixing series each contain Ableton audio effect racks which are specifically designed to give useful tools for the purpose of audio mixing. At isotonik studios you can already pick up DynaMixing Three and DynaMixing Four.

The newest is DynaMixing One.

The original “DynaMixing” pack was one of the first offerings here at performodule.com and is now in legacy status. The main theme of it is “Ease of Use.” These effect racks are designed to get to your end goal faster, without having to muck about with tons of parameters.

Well, we’ve updated and spruced up those devices as well as added a new suite of channel strips based on the colours of the visual spectrum. This pack is a great for diving into a mixing project without spending hours fiddling around.

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“Bussification”

The newest sale pack is here: “Bussification”. It consists of channel strip racks designed for placement on groups of tracks, auxiliary tracks, and on the master buss during mixing. Each macro control for each is specifically restrained in minimum and maximum ranges to exemplify the relevant characteristics of different types of instruments.


(massive props to Joshua Casper for the above video demonstration!)

Group Busses
By grouping similar instruments in a mix and placing different Bussification racks onto them, each is given a distinct frequency character “home”, leading to a clearer and more vibrant overall mix when applied carefully. For each buss, decide upon a frequency to enhance, in particular, to help it stand out. You can sculpt the brightness and darkness to fine-tune the resultant tone, remove unnecessary frequencies with “tauten”, and infuse parallel saturation. There is a “juice” control which determines overall intensity of various parameters, parallel saturation calibrated uniquely for each buss type, and finally a knob for natural-sounding, sophisticated level automation which works by balancing various internal parameters.

Auxiliary Busses
Set up two return channels (CMD/CTRL-ALT-T), one for “Dirt” and one for “Space”. Solo them and send just enough of each channel in the mix to it to be able to barely hear. Use “Dirt” to add a bit of edgy presence for a less muddy mix. Use “Space” to emulate a nice room tone, helping to glue all elements together and cohesify punchiness. After balancing all track sends, unsolo the return tracks, reduce their levels to minimum, and slowly introduce them into the overall mix for added vibe and color. A next-level trick is to automate those levels to introduce more dirt and space during different song sections.

Master Busses
Place one of these on the master buss to subtly alter the overall character from digital neutrality to match the media of choice. These each have different controls. “CD” is for general-purpose, modern pre-mastering with an emphasis on the solidity of bass and the clarity of high frequencies. “Vinyl Record” adds in custom emulations of turntable rumble, stylus quality, and surface grime, also with RIAA pre- or post-equalization. “Cassette Tape” is equipped with a very nifty tape hiss generator which creates the hiss based on the original material as well as nonlinear subtle sub and air contour distortion.

Grab “Bussification” over at isotonik studios. Available now!

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Holiday Gift 2016 – The PK Rocket Monster!

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The PK Rocket Monster is a wild, roaring, growly, nasty multisynth made from samples of the waldorf rocket synth. The really crazy thing about the  PK Rocket Monster is its unique internal self-vocoderization (which to my knowledge has never been implemented in an Ableton instrument until now): it includes two chains, one which plays and one which alters the timbre of the other. You have two selector knobs, one which chooses the Primary Voice and one of which selects the Alter Voice. There are 37 available voices, meaning that by mixing and matching the Primary Synth with the Alter Voice, you have a total of 1,369 possible unique timbres available. (Don’t believe me? Go here and put in “sum 37d37”. Probability is fun!)  The PK Rocket Monster excels at providing gnarly bass tones, but can also result in scorching sci leads. By experimenting you can get even weirder sounds. Suffice to say, it has incredible “replay value”. The samples were recorded at 24-bit, performed by the producer parasite kid.

PK Rocket Monster features:
•Voice matrixing for over one thousand possible resultant combinations.
•”Sweep” control which uses formant shifting for even more timbre flexibility or for drama-intensifying uplifter /downlifter effects (tee hee).
•”Pulse” which arpeggiates the Alter Voice to modify the Primary Voice’s tone rhythmically.
•Pre-calibrated one-knob “ee queue” for quick tone polishing.
•”Grain Amp” for junky chunk.
•”Redrive” for buzzy bite.
•”Space Trail” which dials in metallic ping verb.

The instrument is provided for you in a live set. Once you install it and open it in Ableton, simply drag the rack into your user library in the browser (or hit the little “disk” icon) to save it wherever you want. The samples will be automatically imported into your library for immediate use in any project.

Click the PK Rocket Monster image above, or this sentence, to grab! 

Requirements: Ableton Live Suite, version 9.7+
File Size: 6.36MB (10.4MB unpacked)

 

 

 

New Free Live Pack: “Turboencabulation”

On a whim, i made a series of effects based on terms from this silly turboencabulator video:

Grab the effects for Ableton Live FREE via isotonik studios.

For more history on the Turbo Encabulator, check this out.

Update: Huge thanks to Ableton for sharing the Turboencabulation pack for “FreeStuffFriday”! I love you, Ableton! Side-fumbling has indeed been effectively eliminated.

ALL Free VST Effect Racks for Immediate Release as of Now

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Due to an increasing upcoming workload, we’ve decided to release the freeVST racks all at once, instead of in monthly batches as originally planned. That’s over four-hundred and twenty individual racks now available! Talk about an expanded toolkit.

These are “default/template” audio effect racks for many different plugins which are available publicly for free in 64-bit. You simply load any of these Ableton racks, and it loads its corresponding plugin (assuming it’s installed). Each rack includes help text which will be shown when hovering over macro controls.

Most of the plugins we have racks available for have 32- bit and mac versions as well; however, some are 64-bit or windows-only. Mac-only and AU plugin racks are planned for a future update. FreeVST racks here will be updated periodically as necessary to reflect developer updates. If you know of a free vst developer we missed or encounter any issues, please leave a comment.

ABLETON LIVE 9.6 required (Intro, Suite, or Standard).
Yes, you can even use all of these racks with Live 9 Intro!

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AfroDJMac Special Zone Collab Pack

Special Zone

Special Zone

As you may have noticed, i have random ideas all the time. It’s just a matter of finding the physical time to implement them. One idea i had which didn’t take super long to implement was to make effects based on the Special Zone (aka “Special World”, “Star World”) levels from Super Mario World on the Super Nintendo. I grew up playing and loving NES and SNES and so get all predictably nostalgic over such things, as many people in my age range tend to (thus the almost-nauseating overpopularity of 8-bit retro throwback stuff currently).
I tossed the idea of effects based on the “special zone” levels at AfroDJMac to see what he thought, knowing that he’s somewhat into retro video game stuff too.

One thing led to another and another and… well, just that one thing, actually. It was pretty straightforward.

So now you have The Special Zone Pack for Ableton Live. <- Click that to go to AfroDJmac’s site to read about / grab.

Bodacious.

Super, super huge thanks to AfroDJMac for hosting this pack! If you browse around his site, you will find a near-limitless supply of amazing, weird goodies.

 

New Free Microcassette Tape Instruments

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SO my friend mobdividual lent me a couple of microcassette players in order to import an old microcassette tape i found. It turns out the cassette was the very same used to record samples on this classic record. Neato!
BUT THEN i decided to also record the sound made when the tape player was playing a blank tape through the larger tape transcriber. It’s a nice, warm, rich, subtle hiss and hum. By varying the tone and speed controls in a methodical, timed manner, and crafting a sampler rack to play slices according to their timbre, you have a variable instrument you can use to recreate a range of tonalities. For extra swag, you could, for example, match the root note of the hum (by ear) to the key of your song.
I also created an instrument which plays in-pitch with whatever MIDI note you play, allowing for tape noise which follows a melody, hybridizing past/analog and future/digital techniques.
Lastly, there is a “stop clicker” percussion rack which can be used for nice analog clicking noises when you need them.

These instruments are available absolutely for free via Subaqueous, who also makes a vast assortment of mysterious and useful Ableton Live tools, from MIDI tools for compositional purposes to crafty effects and exotic instruments, as well as some deliciously tasty music.

Grab three microcassette tape instruments for Ableton Live 9 for FREE via Subaqueous.