Here’s a bunch of Reverb IRs for you, sampled from the unobtainable TC M30 Plugin. I believe that plugin was one of the very first VSTs i ever grabbed after i started getting into Ableton Live. I remember it being some sort of time-limited temporary free offer. After years of not thinking about it, i recently realized i still had a working 32-bit copy of the plugin, and so took some IR snapshots of it, because why not.
It’s always been more of my mentality to try to figure out how to make optimal use of what i have on hand — even when flawed — than to try to find immediate replacements… from using a TI-83 calculator to code as a teenager (since that’s what i had access to), to learning how to mic two small guitar amps to sound amazing rather than try to buy bigger amps which i didn’t have space to store. Whether or not this is the optimal way to be, it’s been pretty ingrained in me over a lifetime of dealing with less-than-ideal equipment and environs, figuring out how to increase functionality past apparent limitations, and squeezing every drop of valuable usage i could garner out of existing gear.
This BCR-2000 MIDI Controller i have happens to have a top row of encoder knobs which act all wonky, sending out their values all slow and choppy and making them pretty much unusable as MIDI controls. However, each knob does have a set of LED lights, and it is possible to send messages to those lights to make them move.
By using a couple of MaxForLive devices in Ableton, i have it set up so that the 8 knobs each provide a VU-meter type experience in reaction to whatever’s playing in Ableton Live. Now they aren’t useless! Yay!
OK, so you know when you right-click on something to open up a context menu?
And then you move the mouse cursor to the item you want, and then you left-click the option you want?
Well, there is a way to do it a tiny bit faster. Maybe you already do it.
I found myself picking up the habit due to right-clicking to change macro colours so often. By saving a tiny little bit of time multiplied by a whole bunch of iterations, one can end up saving a substantial amount of time. Anything that streamlines workflow is useful, right?
So here’s the tip: Right Click and Release
Instead of doing this: right-click -> move mouse -> left click
Do this: right-click (hold it down) -> move mouse -> release right-click
Doing this implements the menu option (in Ableton Live at least — not in all programs) with a single mouse click instead of with two mouse clicks, thereby saving you a precious minuscule quantity of milliseconds. For example, if you had to select a hundred boring context menu options, you’d be performing one hundred clicks, instead of two hundred. Brilliant!
This trick does not work in all programs, but it does in Ableton Live, at least.
NOTE: if following this methodology, make sure that your index finger gets some extra exercise to compensate for its less active role going forward. I recommend angry pointing.
Often, plugins will cause an effect they don’t tell you about, and you may not realize is occurring.
Knowing exactly what is happening to audio is valuable, because otherwise if we set up chains of effects we may think that we are resulting in a more transparent sound than we really are. Subtle changes to sound can stack up and add to quite audible differences—which if we don’t know the sources of may be difficult to diagnose and address.
Here’s an overview of some of the things some of Ableton Live’s stock effects do to sound passing through them, which you may not realize at first. Some of these quirks many of you will have gotten to know by ear already just by using the effects, in which case seeing the analysis graphs can provide some “aha” moments.
~`~ Consistency in parameters assigned to racks is useful, for always being able to grab a certain knob for a certain result. For example, on the 8-knob racks of Live 10 and earlier, for dynamics devices like compressors or gates, i tend to place Attack and Release on Macros 5 and 6.
16 Knobs! Yay! …but also, Uh Oh!
~`~ Live 11 now has the ability to allow up to sixteen macros on a rack, which expands our abilities — but also makes things easier to become sporadic and messy by just mapping whatever, wherever. More knobs means more searching text with eyeballs. So therefore it seems helpful if certain controls are always (or almost always) in the same places.
Hi. Reporting that the new pack of Reverb Impulse Responses for any DAW, DankVerb, is now available.
It includes 150 dank, lush, and dystopian Impulse Responses suitable for post-apocalyptic sound design, recorded at 192kHz. They were crafted by carefully combining multiple reverbs together, mad scientist style.
Place elements in mysterious and foreboding physical spaces suitable for fantasy, science fiction, or horror settings.
DankVerb is a perfect companion to Ableton Live 11’s new Hybrid Reverb device. Drop in DankVerbIRs to augment Hybrid Reverb’s built-in algorithmic section. If you’re still on Live 9 or 10, on the other hand, they work great with the Max for Live Convolution Reverb device. Don’t even use Ableton Live? Need a Convolution Engine plugin? No problem. This article by Bedroom Producers Blog has got you covered with some sweet free options.
Bolster your library with the full collection of one hundred and fifty fresh and steaming IRs! Read more details about and acquire the full version of DankVerb at Isotonik Studios: DANKVERB.
That’s all for today. Don’t be jerks to each other, ok?
One of the most popular PerforModule articles to date is How to Organize User Plugin Presets Like a Boss in Ableton Using the Hidden Architecture and it’s understandable — it’s very helpful to be able to integrate one’s own presets into the browser’s organization structure. And it’s pretty simple to accomplish. Read that article for an in-depth rundown on the topic in which is also explored further customization options for the truly OCD, if you have the desire. Or just read on for a briefer summary…
•Basically, if you place your User Library presets into folders with the same specific names as the built-in categories, those presets will now also appear in their respective category folders in the browser.
Live 11 Has updated the default categories, adding a handful of new ones which is good news to me, since i’ll be able to integrate more stuff with the built-in system. Some of the choices are a bit odd… but hey, whatever.
Click here to download the blank category folders, and/or copy the following lists for reference.
EMPATHY is a pack for Ableton Live 10+ Suite containing a handful of high-end effect racks designed to consistently improve a wide possible range of audio sources passing through them. Each rack is suited to a particular purpose, with easy-to-dial-in controls. Together they provide a robust toolkit for general mixing and mastering.
Ultimatum: “The ultimate” audio effect rack designed by PerforModule, it’s a 10-step algorithm to magically improve both the tone and dynamics of any audio source in realtime.
‘The One’: One-stop shop for suave, go-to tonal adjustment of tracks in a mix, with low & high cut focus, “light shine” focus, surgical slice, l-r twist, and M vs S intensity.
Auditory Miximizer: The PerforModule twist on the infamous sonic maximizer, with tastefully optimized frequency contours and dynamic reactivity. Comes in 3 versions: stereo, L-R, and M-S.
Dilation Warder: Combination gate and expander for when you want to increase the dynamic range, tighten things up, emphasize punch, and add more of a percussive staccato feel.
Skip to the bottom of this post to check out a video overview of the Empathy by Brian Funk, or read on for a more detailed overview of each the included devices and what makes them special.
Packification So i recently helped our mutual friend Brian Funk reorganize his Live Pack Archive, a $10 massive grab bag of Ableton Live goodies assembled from the freebies that he’s been steadily churning out over the years, all the way from the very first pack in 2011 to the contemporary 200th. It’s a lot of stuff! Judging by the plethora of 5-star reviews of the product on gumroad, it seems like people dig it.
Ah, Convenience Sure, you could go download all this stuff one at a time methodically blog post by post. However it’s much easier to just pay the convenience charge and get all the stuff in one bulk download. This collection has been on offer for a while now, but they were basically presented in a big pile of folders. Fun to scout around for sure, but not exactly optimal when it comes to workflow convenience. Power Up! Aha! See, now the collection is even more splendid, as all the devices come consolidated in two mega-packs with similar categories of sounds, effects, and clips sorted logistically for quick perusal and easy implementation directly from the Live browser (including signal previews). Find, grab, and use the stuff you want instantly. It’s very handy and nice. But… the price is still the same? What!? Crazy, i tell you!
Partake Sound intriguing? Well then why don’t you pull up a chair, situate your ass real comfy, and grab yourself some.