So what exactly is Warping? In Ableton Live, you can warp clips, so that they will always play in-tempo along with the grid. For most general composition and mixing tasks, you don’t want to do this, as it degrades audio quality, but for live performance it’s super amazing, since you can basically combine together any audio clips you want like legos. It’s also useful for transitioning between songs in more typical “dual deck” DJ-style setups, wherein the outro of one song can seamlessly blend with the intro of the next one, with a tempo ramp between them happening along the process.
The mbira (aka kalimba aka thumb piano) has a peculiar sound all of its own. I think they tend to sound pretty cool, with a distinctive tone that is reminiscent of some other types of instruments but not quite exactly like anything else.
But what’s this? The Array Mbira? It has four octaves, you say? Including multiple copies of the notes? Well, then. That’s sure nifty.
Madeleine Bloom, whose Ableton Live Tutorials i wholeheartedly recommend, has sampled one such Array Mbira and assembled the results into a series of 34 Instrument Racks for Ableton Live. There are only a small handful of Ableton Live instrument craftors whose work i’ve encountered that put in the depth of care that i consider the level of the adept, and Sonic Bloom is one such. I’ve had the grateful opportunity to give the instruments a deep look and am here to report on my findings.
Heya. Just letting you know that the PerforModule Dephaultz pack for Ableton Live has been updated to incorporate Live 10.1’s new features. If you have previously bought the pack at Isotonik Studios, you will have already received an email about the update. If you haven’t purchased the pack yet, you can grab it secure in the knowledge that you’ll retain access to all future updates. Live 9 user? No problem. If you plan to upgrade to Live 10 later on, you can at any point download and upgrade your pack to the Live 10 version. Sweet, huh?
With the modern era of digital capabilities to re-tune recorded material, almost all music you hear nowadays has “perfect” tuning on all of the instruments and vocals. But what does this mean, exactly?
Generally, this tuning is based on equal temperament. But is equal temperament the most “perfect” tuning for absolutely all musical situations? I say… nope.
This week we’ll be sharing with you an Ableton Live set used for impulse response creation. Requires: Ableton Live 9 or 10, MaxForLive, MaxForLiveEssentials pack.
It allows you to quickly capture IRs from effects (software or hardware) by dropping them onto a track and pressing a couple of keyboard shortcuts. Using the template skips the setup time, avoids having to fiddle around with routing, and prevents accidentally sending bursts of audio through your system, with the option to listen to the process if curious. Continue reading →
Brand new plugins… promotional sales on plugins… they are SO tempting. But do you really need that new compressor plugin that just dropped?
In order to assess which plugin types are lacking in your toolbox, i recommend making a spreadsheet of all the plugins you own by category. You might discover, as i did, that you have such a vast variety of compressor options to choose from, it’s likely that you won’t benefit a whole lot from purchasing any more of them. You also might discover, like me, that you’re somewhat lacking in gate plugins, and could indeed benefit from picking up a few new models. Etc… Continue reading →
So i found myself slightly annoyed that Ableton Live’s Ping Pong Delay effect always starts the first echo repeat on the left side. Sure, you could flip the stereo field after applying it to reverse the direction—but that also reverses the stereo field of the source audio. What if i want the source audio to stay the same, but have the echo repeats reverse direction?
We know that the new(ish) circuit models for Ableton Live’s Auto Filter effect add some tasty analog-modeled distortion, but what about their characters? Which of the circuit models adds the most aggressive distortion?
If it takes forever to scan plugins every time you open Live (due to certain poorly-coded plugins taking longer than others and bottlenecking the process), you can set it up to skip plugin scan. Keep in mind that if you do this, you’ll want to perform a manual scan (from preferences) any time you install or update any new VST plugins.
How to do it? Add “-NoVstStartupScan” to your options.txt file
That’s it! Live will no longer do a scan every time it opens.
Ever since i applied this option, the stupidly vast size of my plugin collection doesn’t adversely affect my workflow. Live startup time is way snappier. When i occasionally buy or grab a free plugin, i just run a scan after installing it. Every once in a while you might have to do a “deep” scan (hold alt while clicking the scan button) if something doesn’t show up when it’s supposed to.
Note that from Live 10.1 onward, the plugin rescan button is located in the new dedicated plug-ins tab in Live’s preferences, rather than under file/folder, as previously.
Hopefully this nifty tip is inapplicable to you, as that means your plugin scan is not bloated. However, for those of you that are having issues with slow startup of Ableton Live (or in case it eventually becomes an issue) this may be a viable solution.