⠀⠀⠀I haven’t performed as a DJ in years, focused on raising my son and home studio work instead, but i was pretty active as one around the Colorado Springs area from about 2010 until 2014. One of the my favorite toys to use to manipulate beats live on my laptop was Alexkid’s Instant Haus, which “instantly generates drum patterns to craft into your own house track” (available free via Ableton). It’s great way to add variation to beats in an organic fashion.
⠀⠀⠀Well, i’ve been inspired lately because we now have available the freshest incarnation of beat juggling voodoo in the form of the 501k Creatives new Beat Shaker device, crafted by the very same Alexkid. It’s a similar concept, but greatly expands on the potential and flexibility.
We’ve got a new pack for you, Super Awesome Sounds, featuring samples of the Casio SA-20 Keyboard. This was my first instrument as a kid and thus has a very nostalgic place in my heart, so i recently re-acquired one and went nuts sampling its 100 patches and making instrument and drum racks for ableton live out of them (plus audio effect racks inspired by them), using the amalgamation of my accumulated knowledge over the years to create the most refined PerforModule instrument pack to date.
Since it seemed to fit nicely with his existing collection which includes quite a lot of 80s- and 90s-esque sensibilities, i’ve teamed up with Brian Funk to release the pack. We talked about it as well as various other random topics on his show, the Music Production Podcast. Many thanks to Mr. Funk for having me on, always an interesting and insightful time.
There is a free version of the pack as well as the full version linked below, which can be currently had for just $6 by joining Brian’s Music Production Club this month (along with a bunch of other cool stuff). That’s a sweet deal! The MPC is a great way to acquire a constant influx of goodies into your inbox every month for a very accessible sum, so that even poor, cheap bastards like me can afford it. It’s rad! The price for Super Awesome Sounds is otherwise $15, itself a tubular deal considering the vast assortment of wonderful gadgetry it contains within.
As curator of Isotonik Sounds packs for Ableton Live, i’ve gotten the chance to preview some amazing material. It’s been a great honor to be tasked with pinpointing unique and interesting artists and nurturing their product development. -animus invidious Continue reading →
The newest sale pack is here: “Bussification”. It consists of channel strip racks designed for placement on groups of tracks, auxiliary tracks, and on the master buss during mixing. Each macro control for each is specifically restrained in minimum and maximum ranges to exemplify the relevant characteristics of different types of instruments.
By grouping similar instruments in a mix and placing different Bussification racks onto them, each is given a distinct frequency character “home”, leading to a clearer and more vibrant overall mix when applied carefully. For each buss, decide upon a frequency to enhance, in particular, to help it stand out. You can sculpt the brightness and darkness to fine-tune the resultant tone, remove unnecessary frequencies with “tauten”, and infuse parallel saturation. There is a “juice” control which determines overall intensity of various parameters, parallel saturation calibrated uniquely for each buss type, and finally a knob for natural-sounding, sophisticated level automation which works by balancing various internal parameters.
Auxiliary Busses Set up two return channels (CMD/CTRL-ALT-T), one for “Dirt” and one for “Space”. Solo them and send just enough of each channel in the mix to it to be able to barely hear. Use “Dirt” to add a bit of edgy presence for a less muddy mix. Use “Space” to emulate a nice room tone, helping to glue all elements together and cohesify punchiness. After balancing all track sends, unsolo the return tracks, reduce their levels to minimum, and slowly introduce them into the overall mix for added vibe and color. A next-level trick is to automate those levels to introduce more dirt and space during different song sections.
Place one of these on the master buss to subtly alter the overall character from digital neutrality to match the media of choice. These each have different controls. “CD” is for general-purpose, modern pre-mastering with an emphasis on the solidity of bass and the clarity of high frequencies. “Vinyl Record” adds in custom emulations of turntable rumble, stylus quality, and surface grime, also with RIAA pre- or post-equalization. “Cassette Tape” is equipped with a very nifty tape hiss generator which creates the hiss based on the original material as well as nonlinear subtle sub and air contour distortion.
Due to an increasing upcoming workload, we’ve decided to release the freeVST racks all at once, instead of in monthly batches as originally planned. That’s over four-hundred and twenty individual racks now available! Talk about an expanded toolkit.
These are “default/template” audio effect racks for many different plugins which are available publicly for free in 64-bit. You simply load any of these Ableton racks, and it loads its corresponding plugin (assuming it’s installed). Each rack includes help text which will be shown when hovering over macro controls.
Most of the plugins we have racks available for have 32-bit and mac versions as well; however, some are 64-bit or windows-only. Mac-only and AU plugin racks are planned in the future. FreeVST racks here will be updated occasionally to reflect developer updates. If you know of a free vst developer we missed or encounter any issues, please leave a comment.
ABLETON LIVE 9.6 required (Intro, Suite, or Standard). Yes, you can even use all of these racks with Live 9 Intro!
Two new premium packs for Ableton Live have been released, after extensive testing periods.
These are some of the most robust and practical stuff we’ve created yet!
All Premium PerforModule packs are self-installing, meaning that you simply drag them into Live and all the devices will now be in your library, categorized.
“One Knob Wonders”
Includes 64 different single-knob effects, each designed for a specific purpose.
They range from highly practical mixing tools to wacky, nifty performance tricks. <- Click the link for more details.
Here’s a highlight of some my favorites from the set…
–Noisify: adds source-reactive noise and degrades signal
–FonePhilter: retro telephone tone with signal overdrive
–DownFilter Dirty: performance sweep utilizing Live’s new analog filter functionality
–GrainPitch Up: crude realtime pitch shifter
–Pianosator: “piano reverb” of chromatic resonances
–BassCream: velvety bass guitar process based on a classic pro studio workflow
–Shredder: scorching tone for hard rock/heavy metal lead guitar, easy-peasy
–Characterizer: adds mid-range richness and warmth
–De-Essify: de-esser which works like magic
–JuiceSnapper: aux buss finalizer / transient enhancer
–SuperUltraMega: Makes. Stuff. Louder.
–Chube: chorus to sound like going through a metal tube
–Breepitate: glitchy fun
–BrownLoop: loop and shift a clip down to half speed
–SeaShore: transform any audio into a pleasing surf wave
–PongFreez: more glitchy fun
–TapeFlange: emulates splitting the feed into an extra tape machine
Includes template racks used for splitting up any audio source into multiple chains by various methods. <- Click the link for more details.
Useful for when you want to do things like
-apply different effects to different frequency ranges
-apply different effects to the left and right sides of a stereo file
-apply effects to just the mid or side channels for super easy m/s processing
-different effects chains which alternate based on a time interval
-effects applied separately to above and below a transient threshold
It also includes three “tri” devices pre-loaded with effects and a “behind the back panner” for an interesting phase-shift panning technique.
Each rack includes 8 macro controls for sculpting your drum sounds with ease.
A few of the capabilities are…
-plush control for smooth cymbals
-smack control to add top attack to kicks
-smash: go-to overhead compression
-pitch-matched resonance for boomy toms
A new free Live pack is available at Subdivizion.
It includes a handful of midi racks which are specifically designed for use before drum racks in Ableton Live.
Especially fun stuff for live performance if you like to play drum racks with a midi pad controller.
Also very useful for hastening studio production workflow.
Click the image below to learn all the details of the specific devices and to grab the pack.
Many thanks to Subdivizion for hosting. Enjoy!
p.s. don’t forget to subscribe to this blog to receive email updates when new items come out. We try to keep posts to Ableton pack related stuff & very special news only. Also don’t forget to subscribe to the isotonik studios newsletter to get even more exclusive free performodule packs.
Need kicks? Here we have for you this free Kick Selector courtesy of http://www.subaqueousmusic.com/ ~ the (aqpm) Kick Selector, chock-full of sweet kick samples.
Subaqueous sent me the rack and i tweaked it to be able to harmonically match whatever key your song is in.
It’s always nice having more kick drums to choose from, as the kick drum is a very important component of almost any song.
This rack includes a tasty selection of kick samples, all set to the same pitches and volume levels for easy swappability (is that a word?).
This rack works well playing as just an isolated kick drum when you need one for your song, or you can replace the kick on the drum rack you are working on with this (just drop it over that slot to replace), if you’d like to change it up.
“Kick Selector” – select your kick from amongst 9 choices
“Velocity” amount kick’s volume is affected by input strength (set this to zero if you want your kicks always at full volume.. higher if you want input pressure to affect volume)
“Pitch” – sets the root note of the kick sample from C0 to C1. At default of 64 it happens to be a G#/Ab.Set it to an important fundamental pitch of your song’s key for harmonic swagger. You could even modulate it to switch to a different root note for different song sections.
“Saturate” – sets the amount of saturation and limiting. If the kick sounds weak in the mix to you, turn this up. If it sounds too distorted, turn it down.
“Attack, Decay, Sustain & Release” – your standard ASDR controls. If you’re yet not familiar with what the heck “ADSR” envelopes are, check outhttp://audio.tutsplus.com/tutorials/production/an-introduction-to-adsr/