Social Isolation Freebie: “Secret Weapon” Racks.













While we’re going through some crazy times right now, it has been heartwarming to experience how humans have upped their compassion game in response to shared crisis. I’ve seen more freebies and crazy deals going on this past week than any other time i remember, which seems because people want to help each other, share and be nice (well, not so much a certain political faction in the usa who seems to prefer that regular people suffer as much as possible. But that’s another topic). With graciousness and care for their fellows is how humans should act, rather than trying to take advantage of each other sleazily—which happens all too much.

In this spirit, i am offering up my super secret stash of “Sweetie Pies”—a small collection of effect racks for Ableton Live Suite 10, each crafted to address a specific need in a sweet manner. These are highly practical yet fun racks with the primary purpose of “getting stuff done”.

i WAS planning on releasing this pack eventually anyways once it grew a bit more, but to expedite the process of getting you the goodies, i’ve decided to simply omit the not-quite-finished devices, give everything a good once-over, and release the pack for free as it is now.




SO WHAT ARE THESE GOODIES OF WHICH YOU SPEAK?

Acoustic Guitar Shimmer: go-to for brightening up that sparkle of an acoustic strummed instrument. It adds tube, saturation and glue to a slice of the upper top end in an attempt to add brilliance without getting tinny or harsh. I’ve also used it on vocals or drums from time to time.


Anima EQ: Dead simple, this was made after analysis of my older work against a range of commercial material, meant to counteract my personal tendency to mix too much low-mid around 250Hz and not enough mids around 1k. I find that twisting the knob can help to remove muddiness without sacrificing much if any punch. I’ll apply touches of it by ear to various tracks in a mix, after most other processing has been done. If you also tend to mix a bit on the dark side, maybe it will help you too?


Banshee: i wanted to make a rack to be able to play Ableton’s newish Echo device like an in-track performance dub delay. This one is crazy, awesome fun. You can obliterate sounds to the extreme, with distorted, filtered, glitched, infinitely sustaining delay repeats and the levels always stay under control. The amount of possibilities of sound textures it can create with different combinations of settings, especially with modulation, is insane. Just go wild with it.


Channel EQ++: i really like Ableton’s new Channel EQ device, but sometimes i want more than one of those mid bands, you know? This rack provides you with three adjustable mid bands plus the usual low and high. Good for EQing by ear to help things stand out in a mix without worrying about the specifics.


Drum Rack Endcap: Quick fix for any/all drum kits. I get annoyed when drum racks that are loaded from my treasure-hoard library are either way too loud or way too quiet. So this was designed to slap on the end of such boastful or insufficient drum racks. Too-loud kits are instantly curtailed to a more manageable level, and controls are also provided to “juice up” weaker kits.


InstruClip: Kinda like the Drum Rack Endcap but more simple, InstruClip is designed to simply put in place after any instrument rack. With no adjustments needed, it ensures that peaks never surpass -6.00dB with tasteful soft clipping.


Irrational Compressor:
This one is based on the concept of using irrational numbers for the ratio values, rather than the rigid integers our simple minds tend to go for. It provides a selection of four Ratio choices: φ, π, δ, and , which can between them cover pretty much any compression need. The ratio will be set to the chosen irrational number, with values precise to the furthest decimal place possible (even though you can’t tell by looking at Ableton Live’s text display which rounds the numbers). Irrational numbers exist all across nature, so maybe these ratios harmonize with the universe or something. It’s hard to say… but they do have a very natural sound to my ear at least.

φ (“Phi” aka “The Golden Ratio”) gives light compression, almost subliminal, with ratio of 1.61803.

π (“Pi”) is easily audible but not super intense; a good choice for melodic instruments, with a ratio of 3.14159.

δ (“the Feigenbaum constant” aka “functions approaching Chaos via period doubling”) is a tad more grabby than π, with a ratio of 4.6692. Try it on drums!

e² (“the exponential constant” aka “the natural logarithm squared”) provides very deep compression; not quite at the point of limiting per se, but fairly intense with a ratio of 7.38906.

I tested out how much approximate gain reduction was occurring (and therefore how much makeup gain would be used) at each ratio at various thresholds on a hip hop drum loop (with a loudness of -24iLU):

RATIOGR @ -24GR @ -32GR @ -48
φ “Golden”2.5510
π “Pi”4.5918
δ “Chaos”51020
e² “Exponent”61224


Mordgrim Bass Contour: Implements a tonal contour inspired by analysis of the frequency response of my first ever instrument which i still absolutely love: a black Epiphone P-Bass named Mordgrim. The rack provides adjective controls to adjust various aspects of the tone in musical, intuitive ways. Great for all sorts of bass from bass synths to DI bass guitar, or maybe to make something that’s not a bass sound more like a bass. Bass.

Mordgrim

Neutral Dry-Wet: i already wrote about Ableton Live’s Chain Fade Problem and offered this device. But it’s contained here as well, because i use it all. The. Time. Many Ableton Live users haven’t yet realized that when crossfading between two chains in a rack, it causes a progressive volume bump, maxing out at +3dB in a 50/50 blend. This is not good for times when we need gain-neutral precision during in-track parallel processing, so i made a solution. Use this as a blank template to apply perfect parallel processing to whatever, anytime. You’re welcome.


SafeRedux: Ever notice that when you turn Redux’s Bit Depth down really low, the volume level gets… really, really loud? This can be problematic if you are messing around with knobs and all of a sudden your speakers explode. To solve problem, me make better version of Redux which give you even volume levels no matter what BitRate be. Not only is this safer, it also makes it way more usable for things like sound design or live performance, since you can freely sweep all the way down to 1 Bit with no fear. It’s quite liberating! Crunch time!

Skylark Studio Reverb: A fine-sounding custom reverb built from six mathematically-calibrated reverberation bands, roughly based on the acoustic properties of my project studio (a fairly large room comprising most of the basement level). Originally built to model the ambience in my room when mixing on headphones, i found myself using it in actual productions a bunch. Due to the multiband modeling, with different tonal regions having their own calculated settings, it exceeds the stock reverb’s usual flat & bland 2D quality with a more realistic sense of dimension, and thus has become one of my most-used room style reverbs. It includes “natural tone” and “natural width” controls which, instead of brute-force post EQing or adjusting MS, alters how much of which band gets sent through where.

Tube DC Filter: This is super nerdy shit right here. Ableton’s “Utility” effect has a built-in DC filter switch, but it’s non-adjustable; it’s either on or off. One day i realized that you could use Dynamic Tube’s dry/wet control to fine-tune the percentage of DC filter applied, to be able to shave off exactly how much subsonics you want or think you need. So if you really want to cut 1dB at 5Hz, you can now. You almost certainly will never need this, but at some point you might think that you do.

Tube DC Filter set to 10%. Notice the dB & Frequency scales. Yep, that’s -1dB @ 5Hz.


Tuned Sub Kicker: Go-to sub enhancement for drum loops. Another one spawned from analysis of lots of songs, realizing that it’s very common (particularly in hip hop) to have a sharp bump in the sub bass that doesn’t exactly fit within the “goldilocks curve”. Tuned Sub Kicker provides a way to create this sub bass boost from a drum loop or a kick drum in a super sick manner, with the ability to set the root key signature. Infuse resonant sub boost covering targets below 100Hz, plus add in a touch of softer, rounder thump to the low bass 1 to 2 octaves above the sub.

That’s it. Enjoy your free Sweetie Pies. Peace!
(I mean it. Don’t be a greedy hoarder or a selfish brat. We’re all in this together…)



Progressive Energy Transfer

For the past close to a year, i’ve been working on recording and mixing a collection of original songs by Shavano, an 79-yr old piano player / singer who lives in the same mountainous, forested region of Colorado as me. He dwells in a house built with his own hands, which is powered exclusively by solar and wind energy, on an amazing property with stone-lined paths twisting here and there. It feels like something from a fantasy novel, a magical space that is totally separate from the rest of the world.

Shavano’s House.
Continue reading

Animus Invidious on the AfroDJMac Music Production Podcast (+ new free effect racks)

I was super stoked to be a guest on the AfroDJMac Music Production Podcast. Here’s your chance to hear my actual, real-life voice(!) The sound quality on my side is not wonderful since i was recorded over skype, but whatexer. I had a great time chatting with Brian about random stuff… the conversation decided upon its own meandering path, touching on various topics including the crafting and sharing of Ableton Live racks, VST hoarding, my custom Elemental Mixing template channel strip database, workflow optimization, cassette processing, dynamic contrast between songs on albums, and even the Legend of Zelda (nerds). All in all it was a very invigorating experience and i definitely wouldn’t turn down being a guest again at some point in the future. I myself have quite enjoyed the other podcasts, as they contain a plethora of unconventional tips which are superb for kick-starting the creative juices.

Oh, and we also dropped a couple free audio effect racks for you to grab, including something i brainstormed up quite a while ago and finally implemented perfectly: ‘Dynamic Panning’ (compresses in one direction while it expands in the opposite for source-reactive width modification).

Check out AfroDJMac’s website to access the show.

New Free Live Pack: “Turboencabulation”

On a whim, i made a series of effects based on the Turboencabulator:

Grab the effects pack for Ableton Live 9+ FREE by clicking here.

For more history on the Turbo Encabulator, check this out.

Update: Huge thanks to Ableton for sharing the Turboencabulation pack for “FreeStuffFriday”! I love you, Ableton! Side-fumbling has indeed been effectively eliminated.

AfroDJMac Special Zone Collab Pack

Special Zone

Special Zone

As you may have noticed, i have random ideas all the time. It’s just a matter of finding the physical time to implement them. One idea i had which didn’t take super long to implement was to make effects based on the Special Zone (aka “Special World”, “Star World”) levels from Super Mario World on the Super Nintendo. I grew up playing and loving NES and SNES and so get all predictably nostalgic over such things, as many people in my age range tend to (thus the almost-nauseating overpopularity of 8-bit retro throwback stuff currently).
I tossed the idea of effects based on the “special zone” levels at AfroDJMac to see what he thought, knowing that he’s somewhat into retro video game stuff too.

One thing led to another and another and… well, just that one thing, actually. It was pretty straightforward.

So now you have The Special Zone Pack for Ableton Live. <- Click that to go to AfroDJmac’s site to read about / grab.

Bodacious.

Super, super huge thanks to AfroDJMac for hosting this pack! If you browse around his site, you will find a near-limitless supply of amazing, weird goodies.

 

Guitar Stringonator – free Effect Rack for Ableton 9

Guitar Stringonator

This effect rack will simulate the extra resonations of the unplayed guitar strings when strumming a guitar. It adds one extra tone per string, according to standard EADGBE tuning, with the option to layer in some higher octaves to simulate a 12-string guitar, and the ability to shift the root tone up or down to simulate a re-tuned guitar.

Download the Guitar Stringonator effect rack for Ableton 9 -> PLUCK HERE

386119_10151091275985043_1807936105_n Continue reading

PerforModule – uno Modutation series: free Ableton Live 9 single-knob modulation effects

Alien Spa Treatment. Epidermal Rubberization. Metallic Wormhole. Interdimensional Dissolution. Degraded Laser Robot Wobble Voice. Earth and Space Elementals. Ghastly Vocoding.

Here is the third batch of fun treats, the uno Modutation series: eight individual free Ableton Live 9 single-knob modulation effects, each made with a different base audio effect, and calibrated to have interesting usefulness at any setting. This one was the most fun to create so far. These have been road-tested and honed over the course of various live performances. Continue reading