We’ve got a new pack for you, Super Awesome Sounds, featuring samples of the Casio SA-20 Keyboard. This was my first instrument as a kid and thus has a very nostalgic place in my heart, so i recently re-acquired one and went nuts sampling its 100 patches and making instrument and drum racks for ableton live out of them (plus audio effect racks inspired by them), using the amalgamation of my accumulated knowledge over the years to create the most refined PerforModule instrument pack to date.
Since it seemed to fit nicely with his existing collection which includes quite a lot of 80s- and 90s-esque sensibilities, i’ve teamed up with Brian Funk to release the pack. We talked about it as well as various other random topics on his show, the Music Production Podcast. Many thanks to Mr. Funk for having me on, always an interesting and insightful time.
There is a free version of the pack as well as the full version linked below, which can be currently had for just $6 by joining Brian’s Music Production Club this month (along with a bunch of other cool stuff). That’s a sweet deal! The MPC is a great way to acquire a constant influx of goodies into your inbox every month for a very accessible sum, so that even poor, cheap bastards like me can afford it. It’s rad! The price for Super Awesome Sounds is otherwise $15, itself a tubular deal considering the vast assortment of wonderful gadgetry it contains within.
While we’re going through some crazy times right now, it has been heartwarming to experience how humans have upped their compassion game in response to shared crisis. I’ve seen more freebies and crazy deals going on this past week than any other time i remember, which seems because people want to help each other, share and be nice (well, not so much a certain political faction in the usa who seems to prefer that regular people suffer as much as possible. But that’s another topic). With graciousness and care for their fellows is how humans should act, rather than trying to take advantage of each other sleazily—which happens all too much.
In this spirit, i am offering up my super secret stash of “Sweetie Pies”—a small collection of effect racks for Ableton Live Suite 10, each crafted to address a specific need in a sweet manner. These are highly practical yet fun racks with the primary purpose of “getting stuff done”.
i WAS planning on releasing this pack eventually anyways once it grew a bit more, but to expedite the process of getting you the goodies, i’ve decided to simply omit the not-quite-finished devices, give everything a good once-over, and release the pack for free as it is now.
For the past close to a year, i’ve been working on recording and mixing a collection of original songs by Shavano, an 79-yr old piano player / singer who lives in the same mountainous, forested region of Colorado as me. He dwells in a house built with his own hands, which is powered exclusively by solar and wind energy, on an amazing property with stone-lined paths twisting here and there. It feels like something from a fantasy novel, a magical space that is totally separate from the rest of the world.
I was super stoked to be a guest on the AfroDJMac Music Production Podcast. Here’s your chance to hear my actual, real-life voice(!) The sound quality on my side is not wonderful since i was recorded over skype, but whatexer. I had a great time chatting with Brian about random stuff… the conversation decided upon its own meandering path, touching on various topics including the crafting and sharing of Ableton Live racks, VST hoarding, my custom Elemental Mixing template channel strip database, workflow optimization, cassette processing, dynamic contrast between songs on albums, and even the Legend of Zelda (nerds). All in all it was a very invigorating experience and i definitely wouldn’t turn down being a guest again at some point in the future. I myself have quite enjoyed the other podcasts, as they contain a plethora of unconventional tips which are superb for kick-starting the creative juices.
Oh, and we also dropped a couple free audio effect racks for you to grab, including something i brainstormed up quite a while ago and finally implemented perfectly: ‘Dynamic Panning’ (compresses in one direction while it expands in the opposite for source-reactive width modification).
As you may have noticed, i have random ideas all the time. It’s just a matter of finding the physical time to implement them. One idea i had which didn’t take super long to implement was to make effects based on the “SpecialZone“ (aka “Special World”, “Star World”) levels from Super Mario World on the Super Nintendo. I grew up playing and loving NES and SNES and so get all predictably nostalgic over such things, as many people in my age range tend to (thus the almost-nauseating overpopularity of 8-bit retro throwback stuff currently).
I tossed the idea of effects based on the “special zone” levels at AfroDJMac to see what he thought, knowing that he’s somewhat into retro video game stuff too.
One thing led to another and another and… well, just that one thing, actually. It was pretty straightforward.
This effect rack will simulate the extra resonations of the unplayed guitar strings when strumming a guitar. It adds one extra tone per string, according to standard EADGBE tuning, with the option to layer in some higher octaves to simulate a 12-string guitar, and the ability to shift the root tone up or down to simulate a re-tuned guitar.
Download the Guitar Stringonator effect rack for Ableton 9 -> PLUCK HERE
Alien Spa Treatment. Epidermal Rubberization. Metallic Wormhole. Interdimensional Dissolution. Degraded Laser Robot Wobble Voice. Earth and Space Elementals. Ghastly Vocoding.
Here is the third batch of fun treats, the uno Modutation series: eight individual free Ableton Live 9 single-knob modulation effects, each made with a different base audio effect, and calibrated to have interesting usefulness at any setting. This one was the most fun to create so far. These have been road-tested and honed over the course of various live performances. Continue reading →
EXTERMINATE! – The main parameter; adds that classic Dalek rasp, from 0-100%wet.
Gate – Adds a bit of gating to make noisy source material less mushy.
Single or Flanked – Determines whether facing a single Dalek or if surrounded.
Dalek Voice sounds best on mid-to-high-pitched single-voiced vocal material with a clear contour. For extra fun, set the source clip’s warp mode to “texture” and play with the “grain size” and “flux” parameters (Nifty Tip: in Live 9 you can even automate these). Of course as always feel free to experiment with adding fx to the dalek chain, either in sequence or parallel, for your own special craziness.
Both versions are identical except for the version 9’s sound quality is slightly better due to the improved EQ Eight, and the gate has a touch of hysteresis.
Here is the second batch of goodies, the uno Sweemps series: eight individual free Ableton Live 9 single-knob hi/lo filter sweep effects, each made with a different base audio effect. There are also versions which add delay, for extra pizzazz. I love using these things for live performance to do different types of epic filter sweeps. Continue reading →