As curator of Isotonik Sounds packs for Ableton Live, i’ve gotten the chance to preview some amazing material. It’s been a great honor to be tasked with pinpointing unique and interesting artists and nurturing their product development. -animus invidious
Isotonik Sounds has officially launched, a section at the Isotonik Studios webshop featuring instrument and sample packs for Ableton Live by various developers.
Each month, new free and sale packs will be made available. The first two packs are Crumar Multiman-S by noted maxforlive developer NOISS COKO and ADM DRUMS by yes, you guessed it, the acclaimed wizard of Live: AfroDJMac.
First up, what i know most of you are going to go for, the freebie…
So i’ve been delving into the Ableton Live 10 Beta for a little bit now, did a couple of large mixes and some experimenting with it, and have accumulated a fair impression of how it differs from Live 9.
Ableton Live 10 ~ What’s to Like?
I’ll run over some of the things i’ve noticed in particular which stood out to me, while slipping in mentions of more minor program enhancements. Everything i explain below i will have confirmed personally with Live 9 and Live 10 side-by-side testing.
You’ll notice i completely ignore some new features. These are things i’ve either not tested yet, don’t care about, or would take too much time to dive into properly here. I not even touching on the new instrument or effects (yet…)
My overall impression of Live 10 is that they added in a lot of workflow improvements i didn’t know i wanted. Continue reading
I was super stoked to be a guest on the AfroDJMac Music Production Podcast. Here’s your chance to hear my actual, real-life voice(!) The sound quality on my side is not wonderful since i was recorded over skype, but whatexer. I had a great time chatting with Brian about random stuff… the conversation decided upon its own meandering path, touching on various topics including the crafting and sharing of Ableton Live racks, VST hoarding, my custom Elemental Mixing template channel strip database, workflow optimization, cassette processing, dynamic contrast between songs on albums, and even the Legend of Zelda (nerds). All in all it was a very invigorating experience and i definitely wouldn’t turn down being a guest again at some point in the future. I myself have quite enjoyed the other podcasts, as they contain a plethora of unconventional tips which are superb for kick-starting the creative juices.
Oh, and we also dropped a couple free audio effect racks for you to grab, including something i brainstormed up quite a while ago and finally implemented perfectly: ‘Dynamic Panning’ (compresses in one direction while it expands in the opposite for source-reactive width modification).
Check out AfroDJMac’s website to access the show.
You already know that you can hit the “delete” key on any parameter in a device to return it to its default position (or, in Live 10, double-click it).
But did you know that if you save a preset as a rack and then tweak a macro (after re-opening the version you saved), you can hit “delete” to return to whatever YOU set as the default position for it?
When you hit “Delete” on a macro of a plugin (Ableton Core or VST/AU), it returns to that plugin’s default position, which cannot be changed (set per plugin device).
So like if you drop Ableton’s “Chorus” effect on a track and mess with parameters and hit “Delete” on them, they will return to the Chorus Device’s default positions for those parameters. But sometimes you may not like having those pre-chosen values as the defaults to snap back to. The solution is to use Racks!
For saved rack presets in your library, the “Delete” key on one of the 8 macro knobs will return the value of a given macro knob to the position it was set at when it was saved (the “default position”).
[Note this does NOT work with the chain selector or chain volumes. Hitting “Delete” on the chain selector returns it to 0 and hitting “Delete” on any chain volumes returns them to 0db.]
So let’s say i make a preset for a VST EQ Audio Effect and set the “Mids” to +0 Gain as default at the exact half range (63.5). Then if i tweak the mids macro up or down and want to return to 0, instead of typing “63.5” in the macro or try to line it up with the mouse, just hit “Delete”! Way easier.
1) Saved Preset
2) Tweaked Macro
3)”Delete” key snaps it back to default!
(the display rounds to nearest whole #… in this case 63.5 reads as 63)
Problem: Hot-swapping… have to navigate to all these different folders. Wah! So annoying. End up neglecting certain folders of presets due to their unfortunate locations. Presets get sad and lonely, and begin to wither.
Ableton 9 has a built-in secret “Folder Architecture”. Fiddling around with how things appear in the browser i discovered that if you make a folder with the same name as one of the built-in categories (for instance: “Amp Simulation”) in your User Library Presets folders, any presets in that folder will appear in the respective folder of the same name in the “Categories” pane of the browser (instrument, drum, audio effect, or midi effect racks). Customizing this way provides more unified access to all factory and user-created content in the same location, which makes my life easier. If i want an amp coloration effect preset, for instance, i have one single folder i can open up where i see all user AND factory presets (and even vst and max for live presets) all in one nice list together, easy to hot-swap and preview amongst. How to do this? Simply save files in your user library, organized however you like, but in folders with specific names. That’s all! The text has to be verbatim. There are only certain folder names you can use, which i figured out with experimentation. There are quite possibly other folder names which work, or even a process i am not aware of to be able to create one’s own categories (that would be really cool). But for now we are stuck with using these specific category names. Continue reading