-AutoAdjustMacroMappingRange will make it so that when you map a parameter to a macro control, the current value becomes the minimum value of the newly-created mapping (rather than 0). I prefer enabling this option because it streamlines workflow by helping to map macros faster, saving the step of typing in the minimum value when it is already in place.
With -AutoAdjustMacroMappingRangeoff, when mapping a parameter to a macro control, it will always result in a range of “min” to “max”, ragardless of the current position.
Say i want to map a parameter to a macro, and i want it to range specifically from 37 to 127.
With -AutoAdjustMacroMappingRange set to off, i would first have to map the parameter, click “map”, and then edit the minimum value to be 37.
However, with -AutoAdjustMacroMappingRange set to on instead, by mapping it, the minimum value will automatically be set to the current value (in this case 37), while the maximum will default to 127.
For cases where the maximum is meant to be 127, this reduces the mapping process to a single quick step, without even needing to open map mode. Other types of mappings might still require turning on map mode to adjust the values, but will still save a step of action if you map it while the current value matches one of the target values.
The unprocessed screengrab below demonstrates various mapping strategies, depending on what you want the minimums and maximums to be.
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NOTE: i believe that a recent update of Live 10 enables AutoAdjustMacroMappingRange by default, whereas in previous versions it was off unless you enabled it manually. Either way, it’s handy to know that you can change it around when desired. Just remember that if you do change it, you’ll have to restart live for the change to take effect (i think).
“How the heck do i implement this?” you might ask. To answer that and for more swag info about Ableton Live’s mysterious Options.txt, Madeleine Bloom’s series on the topic is highly recommended.
So i found myself slightly annoyed that Ableton Live’s Ping Pong Delay effect always starts the first echo repeat on the left side. Sure, you could flip the stereo field after applying it to reverse the direction—but that also reverses the stereo field of the source audio. What if i want the source audio to stay the same, but have the echo repeats reverse direction?
For this tutorial we’re going to posit an example scenario: a way to achieve the common practice of narrowing the bass content of a stereo track by scooping out the S channel’s low end—but this time, using analog gear instead of plugins. But what if we don’t have any M/S gear? Not to worry.
If it takes forever to scan plugins every time you open Live (due to certain poorly-coded plugins taking longer than others and bottlenecking the process), you can set it up to skip plugin scan. Keep in mind that if you do this, you’ll want to perform a manual scan (from preferences) any time you install or update any new VST plugins.
How to do it? Add “-NoVstStartupScan” to your options.txt file
That’s it! Live will no longer do a scan every time it opens.
Ever since i applied this option, the stupidly vast size of my plugin collection doesn’t adversely affect my workflow. Live startup time is way snappier. When i occasionally buy or grab a free plugin, i just run a scan after installing it. Every once in a while you might have to do a “deep” scan (hold alt while clicking the scan button) if something doesn’t show up when it’s supposed to.
Note that from Live 10.1 onward, the plugin rescan button is located in the new dedicated plug-ins tab in Live’s preferences, rather than under file/folder, as previously.
Hopefully this nifty tip is inapplicable to you, as that means your plugin scan is not bloated. However, for those of you that are having issues with slow startup of Ableton Live (or in case it eventually becomes an issue) this may be a viable solution.
As curator of Isotonik Sounds packs for Ableton Live, i’ve gotten the chance to preview some amazing material. It’s been a great honor to be tasked with pinpointing unique and interesting artists and nurturing their product development. -animus invidious Continue reading →