Finalization: Audio Mastering Template for Ableton Live

โ€ƒI recently had the pleasure to provide a “Mastering Masterclass” via The Music Production Club. In preparing for it, I decided to craft an audio mastering template using Ableton Live native effects only that is up to the same standards as my own personal “Tasty Mastering” workflow (which has seen continual evolution in use on many professional mastering jobs).

โ€ƒThis rabbit hole (like most projects) ended up consuming more time than initially anticipated, partially due to honing protocols for implementations of fresh features that all PerforModule packs are gradually being updated with (macro variations, xyz control, consistent styling, etc). But it’s done now!

โ€ƒ๐‘ญ๐’Š๐’๐’‚๐’๐’Š๐’›๐’‚๐’•๐’Š๐’๐’ is a self-installing Effects Pack and Template Set for Ableton Live Suite 12.4.1+.

โ€ƒIt includes seven bespoke custom effect racks, each meant for a specific purpose in regards to audio finalization and optimized for the highest-quality fidelity and most tasteful results possible. You’re not meant to use every single effect for every mastering job โ€” but amongst the tools provided are all the capabilities towards such ends that one might ever need.

โ€ƒ๐•๐ž๐ฅ๐จ๐ฎ๐ซ. โ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒSmooth out top end sharpness.
โ€ƒ๐’๐ž๐œ๐ซ๐ž๐ญ ๐“๐ž๐œ๐ก๐ง๐จ๐ฅ๐จ๐ ๐ฒ ๐„๐. โ€ƒUnique multichannel EQ.
โ€ƒ๐“๐ซ๐ข-๐‹๐ž๐ฏ๐ž๐ฅ ๐’๐ฉ๐ฅ๐ฒ๐ญ๐ญ๐ž๐ซ. โ€ƒโ€ƒโ€ƒNext-level effects layering.
โ€ƒ๐–๐จ๐จ๐Ÿ.โ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒLow cut and boost duties combined.
โ€ƒ๐๐š๐ซ๐š๐ฅ๐ฅ๐€๐ฎ๐ฑ ๐’๐Œ๐€๐’๐‡. โ€ƒโ€ƒโ€ƒAuxiliary density injection.
โ€ƒ๐ˆ๐ง๐Ÿ๐ฅ๐š๐ญ๐ฎ๐ซ๐š๐ญ๐จ๐ซ. โ€ƒโ€ƒโ€ƒโ€ƒโ€ƒ Inflator clone using Ableton’s Saturator.
โ€ƒ๐๐š๐ซ๐š๐ฅ๐ž๐ฅ๐ฅ๐ข๐ฆ๐ข๐ญ.โ€ƒโ€ƒโ€ƒโ€ƒโ€ƒโ€ƒSeamlessly blend MS and LR Limiting.

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Push 3: User Mode โ€” Free Template.

โ€Žโ€Ž

Custom Controller Mapping.

ใ€€Just about every Ableton Push owner I’m acquainted with: “Yeah, I know the Push has a mode for custom MIDI mapping… but I don’t really use it for anything.”

ใ€€I have at times gone to inordinate lengths to map controllers so they have as many different useful functions as possible. So upon finally acquiring a Push for myself, I was eager to brainstorm how best to integrate its User Mode into the grand scheme. Well, it took awhile, but I got something!

ใ€€[Screw all this reading…skip down low to the free download.]

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Ableton Live 11 Key Map Guide & Template by PerforModule

The PerforModule Key Map Template for Ableton Live 11: mapping computer keyboard keys to as many potentially helpful functions as practical.
[Note: if you’re on Live 12 now, maybe hold off on downloading this perhaps for the moment, since i’m working on a new keymap template for Live 12. Feel free to steal some of the ideas from this post in the meantime, though!]

The Template

There are three parts to the template:
โ€ขa Live Set pre-loaded with the recommended key mappings,
โ€ขa Diagram showing color-coded key functions, and
โ€ขa Spreadsheet listing custom-mapped and built-in key mappings, also explaining some quirks.

~`~

Mosey on over to this dropbox folder to download the Key Map Template Live Set, Key Map Plan Diagram, and Spreadsheet Guide. Read on for nauseatingly meticulous details below.

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PerforModule Recommends: Effects Order

While we all know that there is no such thing as a perfect or ideal FX chain order for all situations because it totally depends on context, i have eventually developed some general preferences for the order of effects in a signal chain. Recently updating all my templates for Live 11 has further honed my thoughts on the situation.

We can of course swap around the sequential ordering of effect devices, either for a specific intended result or as a matter of experimentation just to see if an alternate routing happens to sound better on given audio.

As usual when sharing my ideas, it is recommended that you not simply adopt the structure as presented, but rather that you test it out in practice and modify things over time to suit your particular style, keeping notes and updating your own templates as you go. Maybe you think the way i place transient shapers before compressors is idiotic. That’s totally fine!

I’ll share below my go-to effects order, and (most importantly)… WHY.
While some of the choices are probably pretty unorthodox, none of them are arbitrary; they all have reasons. Are they bad reasons? Good reasons? Who knows. But i like to think they are built on logical rationale.

Keep in mind you’re seldom if ever going to need all these types of effects on any single track, but for times when you are using even two different processor types, some guidance as to their ordering might prove useful. Resist the urge to add more effects to a chain just because you can. The fewer processors required to get a sound how you want, usually the better.

Scroll to the bottom for a handy cheat-sheet!

~`~

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“Go-To” Macro Arrangements for 16-Knob Racks in Live 11

Macro Placement Consistency.

~`~ Consistency in parameters assigned to racks is useful, for always being able to grab a certain knob for a certain result. For example, on the 8-knob racks of Live 10 and earlier, for dynamics devices like compressors or gates, i tend to place Attack and Release on Macros 5 and 6.

16 Knobs! Yay! …but also, Uh Oh!

~`~ Live 11 now has the ability to allow up to sixteen macros on a rack, which expands our abilities โ€” but also makes things easier to become sporadic and messy by just mapping whatever, wherever. More knobs means more searching text with eyeballs. So therefore it seems helpful if certain controls are always (or almost always) in the same places.

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Organize your User Library Like a Boss ~ Live 11 Style

โ€ƒOne of the most popular PerforModule articles to date is How to Organize User Plugin Presets Like a Boss in Ableton Using the Hidden Architecture and it’s understandable โ€” it’s very helpful to be able to integrate one’s own presets into the browser’s organization structure. And it’s pretty simple to accomplish. Read that article for an in-depth rundown on the topic in which is also explored further customization options for the truly OCD, if you have the desire.
โ€ƒOr just read on for a briefer summary…

~`~

โ€ƒโ€ขBasically, if you place your User Library presets into folders with the same specific names as the built-in categories, those presets will now also appear in their respective category folders in the browser.

โ€ƒโ€ขFurther, you can yourself customize the system, adding your own bespoke categories. Read about that in part two.

โ€ƒLive 11 Has updated the default categories, adding a handful of new ones which is good news to me, since i’ll be able to integrate more stuff with the built-in system. Some of the choices are a bit oddโ€ฆ but hey, whatever.

โ€ƒClick here to download the blank category folders, and/or copy the following lists for reference.

~`~

Instrument Rack (Sounds) Categories:

Ambient & Evolving
Bass
Booms
Brass

Cinematic
Effects
Exotic
Experimental
Guitar & Plucked
Mallets

MPE Sounds
Orchestral
Pad
Percussive
Piano & Keys
Strings
Synth Keys
Synth Lead
Synth Misc
Synth Rhythmic
Templates
Vintage
Voices
Winds

~`~

Instrument Categories:

For presets of Live instruments that have not been racked.

The same as Sounds categories but with the addition of…

Components

~`~

Audio Effect Categories:

Ambient Spaces
Amp Simulation
Clean Delay
Distortion
Drums
Filter
Formant
Hall
Instrument
Mixing & Mastering
Modulated Delay
Modulation & Rhythmic
Performance & DJ
Room
Space
Special
Vintage Delay
Vocal

~`~

Drum Hit Categories:

Bell
Bongo
Clap
Conga
Cymbal
FX Hit

Hihat
Kick
Misc Percussion
Ride
Rim
Shaker
Snare
Snare Articulation
Tambourine
Timbales
Tom
Wood

~`~

Midi FX Categories:

Drums
Experimental
Monophonic
Polyphonic
Rhythmic

~`~

โ€ƒThat’s it for today. Check here for a nifty list of all my audio production tips & tricks thusfar. More on the way!

Social Isolation Freebie: “Secret Weapon” Racks.


***Note: “Sweetie Pies” has been updated for Live 11 Suite! Grab the Live 11 version here.

(For the original Live 10 version, continue below.)



While we’re going through some crazy times, it has been heartwarming to experience how humans have upped their compassion game in response to shared crisis. I’ve seen more freebies and crazy deals going on this past week than any other time i remember, which seems because people want to help each other, share and be nice (well, not so much a certain political faction in the usa who seems to prefer that regular people suffer as much as possible. But that’s another topic). With graciousness and care for their fellows is how humans should act, rather than trying to take advantage of each other sleazilyโ€”which happens all too much.

In this spirit, i am offering up my super secret stash of “Sweetie Pies”โ€”a small collection of effect racks for Ableton Live Suite 10, each crafted to address a specific need in a sweet manner. These are highly practical yet fun racks with the primary purpose of “getting stuff done”.

i WAS planning on releasing this pack eventually anyways once it grew a bit more, but to expedite the process of getting you the goodies, i’ve decided to simply omit the not-quite-finished devices, give everything a good once-over, and release the pack for free as it is now.




SO WHAT ARE THESE GOODIES OF WHICH YOU SPEAK?

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Organizing Your Ableton Browser Like a Boss PART 2: Custom Categories!

You might have already checked out the post about organizing your User & Plugin Presets like a boss using Ableton’s built-in folder architecture.

Well, now we’re ratcheting it up a level to give you ultimate control of your own personalized device organization structure, with the ability to decide exactly what those categories will be.

Modified Audio Effect Categories

If you’re like me, you’re obsessed with systematizing your production tools and resources into a cohesive configuration, making it easy to access what you want when you want it, for maximally optimized workflow when diving into creativity.

While working along with the default categories for years, i was never quite fully satisfied by Ableton’s built-in selection of available choices, so i did some research and testing and determined that it’s not only possible, but actually fairly easy to set up your own custom categories. The trick is to plan things out logistically.

If at this point you have no idea what i’m talking about, please check out the above-linked blog post for background on how Ableton’s category structure works. Then come back here and continue on. The gist is that by including devices in folders of particular names, you can get them to automatically show up in Live’s Core Browser. Normally, we’re relegated to using the default built-in categories that Live comes supplied with. All PerforModule Premium Packs are set up with devices like this, so they install and devices show up in the Core Library for anyone who purchases them. But now, should you want to, you can modify those actual categories. Sweetness.

Virtual Folder Config

The trick to setting up your own categories lies with the VirtualFolders.cfg file.

VirtualFolders.cfg Locations (for Ableton Live 10, similar for Live 9)…

PC:
C:\ProgramData\Ableton\Live 10 Suite\Resources\Core Library\Ableton Folder Info

Mac:
Ableton Live Application (show package contents) > Contents/App-Resources/Core Library\Ableton Folder Info

Always Back Up!

When starting out on this mission, firstly save a copy of the original VirtualFolders.cfg file in a safe place in case you make a mess out of things and need to restore the default state. You can always reinstall Live to do so as well, but that’s not necessary if you back up the file.

In addition, you definitely, absolutely will want to save a backup copy of your own custom-crafted VirtualFolders.cfg in a safe place, because every time Ableton updates Live, it will get overwritten and you’ll need to replace it (just like with Themes aka Skins). Maintaining a backup of your custom configuration is essential in order to continue using it in the future, so do not forget to save a copy of it after you complete it.

Your Custom Configuration

If you open up the VirtualFolders.cfg file in a text editor (such as the recommended Sublime Text 3) and gaze around at it for a while you’ll get an idea for how things work.

Virtual Folders are arranged in Groups. Each Group can include an arbitrary number of Virtual Folders, which will be the names of the folders that show up in Live’s browser. Each Virtual Folder allows two parameters: the Name (a single string of text that will show up as the category title), and the Patterns, a list of text strings which will trigger search results for devices in that category. Neat!

To set up your own system, simply alter the existing entries, and/or add your own new ones. I would recommend starting slowly, perhaps by adding in one new category to one group and testing it out, before planning a major overhaul to the entire scheme. Be extra cautious about deleting existing options, since while doing so won’t affect any devices directly, it may reduce your ability to easily access certain existing patches.

In the image below, see how on the right i’ve added the “Chiptune” Virtual Folder to the Drum categories. Now i can find chiptune-style drum hits easier. Radical.

After you backup both the original and your new configuration, replace the original with the new one, restart Live and check out what happened. Chaos? Euphoria? Now ponder whether you made a wise decision.

PerforModule’s Configuration Strategy

I’ve found Ableton’s default categories for the Sounds group to be mostly adequate, and so i haven’t altered much there. Notably, i’ve removed the “Booms” entry (new with Live 10), which i find useless and annoying to exist as its own folder, since anything i’ve found that could be classified as such could instead fit into a more appropriate category.

Because i was already invested in having sorted thousands of patches into the existing categories, it made sense for me to keep them, but perhaps in your case it might be a good idea to reassess the default categories and use ones instead that make more sense to you. Perhaps you would prefer to have multiple categories of basses available, for exampleโ€”coordinating your clean, distorted, and wobbly bass patches separately. I might change “Synth Misc” into “Chiptune”, since that’s basically what i use the category for anyways…

Note that the Drums group is for drum hits, not drum racks. (Unfortunately, i’m still not sure of a way to suavely organize drum racks by type, so for those i still use User Library folders.)

The AudioFx group is where i’ve shifted stuff around a bit more.

The “Analysis” category is added, and it is much welcomed.
“Distortion” has keywords added so that degradation effects show up there.
Various effects previously crammed within “Mixing & Mastering” have been granted their own categories…
I’ve added a “Compression & Transients” category to align with the Elemental Mixing Template.
“Gating & NR” category for dynamics-increasing and noise reduction effects.
“Console & Saturation” has been added as a category, since i tend to use those for different purposes than more overt distortions.
“Delay” (previously placed inside “Modulation & Rhythmic”) now has a dedicated category.
“Enhancement” category added for exciters and other special-purpose, hard-to-categorize processors.
“EQ” now has its own category apart from “Filter”.
“Generative” category added for audio effects that generate sound.
“Channel Strip” category added for multi-effect chain plugins.
“Loudenating” category (shoutout to chris from airwindows for that term) added for limiters, maximizers… things whose purpose and result is to make stuff louder.
“Multiband Dynamics” category added, because those beasts are unique and special-purpose enough to have their own demesnes.
“Parameter Control” category because all those MaxForLive gadgets are so damn nifty to have on-hand in an accessible fashion.
“Routing and Playback” for all the odd toys that do strange things with channel routing, signal sending, and et cetera.
“Verb” because why the heck is there not a reverb category to begin with? They used to live in “Space”, which now i can designate only for things to do with stereo panning, perceived positionality, phase, and depth of field.
“Drums” and “Instrument” still exist as effect categories, and are used for instrument-specific plugins (examples: eddie kramer DR, bass professor).

Should you use the same custom categories as me? Probably not. But you can use these examples as thought-food to inspire your own devious system planning that suits your particular preferences.

But Why?

“I can just custom organize stuff however i want in my User Library, and ignore the Core Library. What’s the practical point of this?”

I dunno… i guess if you’re an anal-retentive nerd. It just streamlines stuff and feels like a cleaner, more unified experience. If you can’t see the appeal, then this is not for you. Have fun with your disorganized midden heap of chaotically-organized junk. Just kidding. It’s all love. Well, mostly.

Limitations

As swagtastic as implementing a custom system in this way feels, it’s still far from perfect. There are various improvements that could certainly be had.

Being able to classify individual Samples, Loops, and Clips might be kinda neat. As mentioned above, drum racks don’t count as a group like the other device types, and that’s kinda dorky.

Being able to access things with a sort of tag-style metadata system might be more elegant than folder trees. I know some DAWs can do this.

What would you add or change?

Narrow Down Your Plugin Needs

So Many Plugins

Brand new plugins… promotional sales on plugins… they are SO tempting. But do you really need that new compressor plugin that just dropped?

In order to assess which plugin types are lacking in your toolbox, i recommend making a spreadsheet of all the plugins you own by category. You might discover, as i did, that you have such a vast variety of compressor options to choose from, it’s likely that you won’t benefit a whole lot from purchasing any more of them. You also might discover, like me, that you’re somewhat lacking in gate plugins, and could indeed benefit from picking up a few new models. Etc… Continue reading