Free Loudness Meter VSTs

“WTF are Loudness Units?” you may ask. Well, they are simply a measure of loudness, just like decibels.
One LU actually is equivalent to one dB. However, an important difference is that Loudness Units are “shaped” according to the human ear’s proclivity to hear certain frequencies more easily than others. Effectively, LUs tend to feel more consistent to our brains than dB will when measuring varying frequency content, and therefore LU meters are preferable to use (compared to, say, RMS meters) for assessing the overall loudness of music.

Below are shown six free LU (aka Loudness Unit) meters, listing features of each. The most important value when matching the loudness of songs is IL (Integrated Loudness), which is the average loudness over the entire course of given time (with very quiet material gated out).

These devices are available as VST effect plugins for any capable VST host (such as Ableton Live, for example).

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HOFA 4U Meter, Fader & MS-Pan
In addition to showing you LU readings, this one also acts as a really nice all-purpose utility for general stereo and level adjustments on any audio track. Its “wider than stereo” panning knobs are super cool!

Stuff It Shows Us
•IL (Integrated Loudness).
•L-R Peak or L-R ISP (True Peak).
•LRA (Loudness Range).

Nifty Functions
•Gain controls for Left & Right (or Mid & Side) channels, and for the combined output.
•360 degree Left & Right channel panning controls!
•Left and right channel phase inversion buttons.

_______find HOFA 4U Meter, Fader & MS-Pan here.

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Youlean Loudness Meter
The thing I like a lot about this one is the “loudness over time” display (aka histogram), which allows you to easily visualize which sections of time are louder than others, and by how much. It’s up to 5.1 channels and also has some presets for various media targets, though not as many as the TB plugins do. It has both a free and a paid version. I went ahead and got the paid version after using the free one for a couple of years.

Stuff It Shows Us
•SL (Short-Term Loudness).
•IL (Integrated Loudness).
•LRA (Loudness Range).
•Momentary Loudness Max.
•Short-Term Loudness Max.
•ISP (True Peak Max).

_______find Youlean Loudness Meter here.

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MLoudnessAnalyzer
I like how you can customize the display of this one to show you exactly what you want, and nothing else. I use it during audio finalization to precisely monitor loudness as well as L-R peak levels for final output.

Stuff It Shows Us
•L-R Peak.
•L-R ISP (True Peak).
•ML Momentary Loudness.
•SL (Short-Term Loudness).
•Short Term Loudness Max.
•IL (Integrated Loudness).
•LRA (Loudness Range).
•PLR (Peak-to-Loudness Ratio).
•Crest.

_______find MLoudnessAnalyzer here.

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TB EBU Loudness
This one has tons of presets for various loudness targets for worldwide media delivery. That and its surround sound channel capability might make it a respectable choice for someone working on audio for film.

Stuff It Shows Us
•IL (Integrated Loudness).
•IL Gate State.
•LRA (Loudness Range).
•ISP (True Peak).
•PLR (Peak-to-Loudness Ratio).
•Integration Time (free, or synced to playback).
•VU, VU+Peak Hold, or SL (Short Term Loudness) 30 seconds to 60 minutes.
_______find TB EBU Loudness here (scroll down to unfold the legacy v3 plugins link).

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dpMeter5
This one is a bit customizable. It’s made by ToneBoosters and like TB EBU Loudness can run up to 5.1 channels and has various target presets, but with more types of readings, such as RMS and Dialog.

Stuff It Shows Us
•IL (Integrated Loudness).
•SL (Short-Term Loudness).
•Short-Term Loudness Max.
•ML (Momentary Loudness).
•Momentary Loudness Max.
•ISP (True Peak Max).
•LRA (Loudness Range).
•ISP (True Peak).
•RMS Integrated.
•RMS Momentary.
•RMS Momentary Max.
•Peak Max.
•Crest.
•ILD (Integrated Loudness Dialog).
•LRA (Loudness Range Dialog).
•Dialog Percentage.

_______find dpMeter here.

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Audiocation AC-R128
This one is pretty darn basic and straightforward.

Stuff It Shows Us
•IL (Integrated Loudness).
•SL (Short-Term Loudness).
•ML (Momentary Loudness).
•Momentary Loudness Max.
•Integration Time.

_______find Audiocation AC-R128 here.

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Two *not free* plugins that I own which show LU readings are the HOFA IQ Analyzer (probably the one plugin I use more than any other, for its before-after spectral energy analysis capability) and the SPL Hawkeye (which I don’t actually use very much).

That’s all for today. Peace!

Live 11 Updates for PerforModule Packs.

[Almost] all of the PerforModule sale packs (and some of the freebie packs) have been updated for Ableton Live 11 (finally)!

Primarily, this means that racks which had less than eight mapped macros (resulting in some blank controls) have been tidied up to make use of Live 11’s ability to customize the number of macros shown.

Occasional effect racks have also had some macro variations (aka presets) added to them.

Live 11 versions of MasterBuss Cassette Tape and MasterBuss Vinyl Record from the Bussification pack.

The following PerforModule packs have all been updated for Live 11. If you own any of the sale packs, you can download the updated versions from your account at Isotonik Studios, either now or at any later date when you acquire Live 11.

Everyone is welcome to grab the free packs!

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FREE PACKS UPDATED FOR LIVE 11
Emphasizers
ParallAux
Sweetie Pies
Turboencabulation
Utilification

SALE PACKS UPDATED FOR LIVE 11
Advanced Splytterz
Amplitude Operands
Bussification
Dephaultz
Drum Enhancerz
DynaMixing Ultimate
Empathy
Guitaritis
Harmonicality
Note Range Setters
One Knob Wonders
PMX FX
Testful Mastering
Uno Plus

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Ten More Youtube Channels Worth Subscribing To

Aaron Holstein

I met Aaron Holstein (aka VibeSquaD aka Backpact aka the bassist/keyboardist from Zilla) at the 2007 Sonic Bloom festival in Colorado, where my wife Lore and i were supplying coffee and tea backstage for the artists. I remember chatting with them after their awesome set with Sporque (one of my favorite live acts to dance to ever which also had Ooah from the Glitch Mob on beats and Jamie Janover on percussion), wherein i mentioned noticing that a certain bass synth note they kept hitting happened to resonate with the stage, causing this extra delicious rattle. “It was a C sharp!” Aaron told me later backstage. I’ll always remember that.

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Brian Funk’s Live Pack Archive — Powered Up!

Packification
So i recently helped our mutual friend Brian Funk reorganize his Live Pack Archive, a $10 massive grab bag of Ableton Live goodies assembled from the freebies that he’s been steadily churning out over the years, all the way from the very first pack in 2011 to the contemporary 200th. It’s a lot of stuff! Judging by the plethora of 5-star reviews of the product on gumroad, it seems like people dig it.

Ah, Convenience
Sure, you could go download all this stuff one at a time methodically blog post by post. However it’s much easier to just pay the convenience charge and get all the stuff in one bulk download. This collection has been on offer for a while now, but they were basically presented in a big pile of folders. Fun to scout around for sure, but not exactly optimal when it comes to workflow convenience.

Power Up!

Aha! See, now the collection is even more splendid, as all the devices come consolidated in two mega-packs with similar categories of sounds, effects, and clips sorted logistically for quick perusal and easy implementation directly from the Live browser (including signal previews). Find, grab, and use the stuff you want instantly. It’s very handy and nice. But… the price is still the same? What!? Crazy, i tell you!

Partake
Sound intriguing? Well then why don’t you pull up a chair, situate your ass real comfy, and grab yourself some.

Brian Funk’s Live Pack Archive 1-200.
click that▲
▼or that

[Pack 1 works with Live 9 or later, pack 2 with Live 10 or later.]

Synchronistically, this happens to be my 100th PerforModule blog post. Neato.

Peace, y’all! 😎

Beat Shaker for Beat Juggling

⠀⠀⠀I haven’t performed as a DJ in years, focused on raising my son and home studio work instead, but i was pretty active as one around the Colorado Springs area from about 2010 until 2014. One of the my favorite toys to use to manipulate beats live on my laptop was Alexkid’s Instant Haus, which “instantly generates drum patterns to craft into your own house track” (available free via Ableton). It’s great way to add variation to beats in an organic fashion.

⠀⠀⠀Well, i’ve been inspired lately because we now have available the freshest incarnation of beat juggling voodoo in the form of the 501k Creatives new Beat Shaker device, crafted by the very same Alexkid. It’s a similar concept, but greatly expands on the potential and flexibility.

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Fayt EP Released

The Fayt EP

Sometimes i forget that i’m a musician. I spend so much time in Ableton Live but most of it is working on things for other people, or working on PerforModule effects or instruments, or refining templates, etc…

But i’ve somehow managed to get my shit together enough to finish off some tunes. It’s my first new music release since 2016!

The Fayt EP‘s basic theme is a journey through time, enacting your own story which is eternally burned into the record of existence and which you can never undo.

𝓕𝓪𝔂𝓽 is a 15-minute epic (built from a hypnosis-inducing fingerpicked guitar lick i wrote around age 16) which i’ve attempted various renditions of over the years, always falling short of my imaginings. The latest version is vastly closer to what i’ve always had in mind for it and is now presented in its “definitive form”. This lengthy piece meanders through various moods and styles, taking the listener on a mysterious adventure.

𝓒𝓻𝓾𝓶𝓫𝓵𝓲𝓷𝓰 𝓡𝓸𝓪𝓭, also mostly written long ago, other than the lyrics and vocal melody which were more recent, has never before been released, and is in a more straightforward “rock n’ roll” style than typical for me. The idea is a road which is crumbling behind you with every step, forcing you to continue onward without the ability to go back. It features lead guitar by Dave Irmo, who originally taught me to play guitar back in the day.

Bandcamp for Bonus Goodies!

I recommend grabbing the music from bandcamp rather than some other service because you can download pure, high quality, lossless, 24-bit tracks, song lyrics are available to peruse, and artists get a higher proportion of the dough. And you’ll also get some super nifty free Bonus Goodies!

The bandcamp release of the EP (just $3) comes with extra bonus instrumental and 5.1 surround sound versions of songs, as well as (for the first hundred EP buyers) a direct download of the premium Guitaritis effects pack for Ableton Live 9+ Suite by PerforModule (worth $35!).

Here’s the HyperFollow page instead, if you prefer Spatoofy, Oople, or whatever: https://distrokid.com/hyperfollow/animusinvidious/fayt


15 Youtube Channels Worth Subscribing To

One of the cool things about the internet has been the decentralization of education that has occurred, in large part due to sites that allow people to upload and share their own content with viewers directly.

Back in the day, it was much more difficult to find resources for learning, generally being limited to whatever happened to be available at the local library. As a teenager, i checked out every book on guitar that my library had, and quickly ran out of resources for developing further musical understanding, having to resort to a very limited selection of magazines, instructional VHS tapes, tablature books, etc, to advance my knowledge.

Nowadays, there is no shortage of content being continually created and easily available for instant perusal via the web—so much, in fact, that the problem is now one of sifting through the vast amount of material available, to find what is actually worthwhile. If you just choose at random, the quality is likely to be of sketchy credibility. Rather than squandering my time copying people who are mimicking other people who are copying something they read in a forum, i’d rather focus on sources that will provide more a raw investigative slant.

So which Yootoobz does PerforModule officially recommend? And whyz? Read on to find out! (Headings are links to video pages.)

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Super Awesome Sounds

We’ve got a new pack for you, Super Awesome Sounds, featuring samples of the Casio SA-20 Keyboard. This was my first instrument as a kid and thus has a very nostalgic place in my heart, so i recently re-acquired one and went nuts sampling its 100 patches and making instrument and drum racks for ableton live out of them (plus audio effect racks inspired by them), using the amalgamation of my accumulated knowledge over the years to create the most refined PerforModule instrument pack to date.

The SA-20

Since it seemed to fit nicely with his existing collection which includes quite a lot of 80s- and 90s-esque sensibilities, i’ve teamed up with Brian Funk to release the pack. We talked about it as well as various other random topics on his show, the Music Production Podcast. Many thanks to Mr. Funk for having me on, always an interesting and insightful time.

There is a free version of the pack as well as the full version linked below, which can be currently had for just $6 by joining Brian’s Music Production Club this month (along with a bunch of other cool stuff). That’s a sweet deal! The MPC is a great way to acquire a constant influx of goodies into your inbox every month for a very accessible sum, so that even poor, cheap bastards like me can afford it. It’s rad! The price for Super Awesome Sounds is otherwise $15, itself a tubular deal considering the vast assortment of wonderful gadgetry it contains within.



Click to check it out at Brian Funk’s site.


Read ON FOR NERDY TECH DETAILS…

Array Mbira Pack by Sonic Bloom

The mbira (aka kalimba aka thumb piano) has a peculiar sound all of its own. I think they tend to sound pretty cool, with a distinctive tone that is reminiscent of some other types of instruments but not quite exactly like anything else.

But what’s this? The Array Mbira? It has four octaves, you say? Including multiple copies of the notes? Well, then. That’s sure nifty.

The Array Mbira


Madeleine Bloom, whose Ableton Live Tutorials i wholeheartedly recommend, has sampled one such Array Mbira and assembled the results into a series of 34 Instrument Racks for Ableton Live. There are only a small handful of Ableton Live instrument craftors whose work i’ve encountered that put in the depth of care that i consider the level of the adept, and Sonic Bloom is one such. I’ve had the grateful opportunity to give the instruments a deep look and am here to report on my findings.

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