Mastering Two Songs Live!

 Firstly I mastered the song Game Boy by AnneAnne, a synthpop-ish piece that is an astoundingly impressive display of composing, lyric-writing, instrumental performance, singing, arranging, production, and mixing… that all coalesces into a bangin’ track filled with clever and hilarious 80s and 90s nostalgia tech puns.

 Next up was Dimenensional Drift by Human Synthetics, an amazing atmospheric d&b piece, replete with crushing breakbeats and enveloping bass that continually shifts and evolves as it progresses, evoking a dark and moody vibe that is enticing and addictive to listen to and get lost in.

 For both pieces i used my newly-developed Finalization effects pack and template for Ableton Live Suite 12, demonstrating how it allows you to get as deep as you need to with professional mastering and high-quality results with no need for external VST plugins.

 It was a great joy to work on finalization of both of these songs on-the-fly at the Music Production Club meeting! Thanks to both of the artists for contributing their songs and to Brian Funk for hosting the meeting plus recording and producing the video.

 If you want to hit me up for audio mastering, feel free to use the contact form or check in over at the Animus Invidious Discord.


 And no i don’t use generative ai for any aspect of writing this blog because that would be lame, unimaginative, boring, below my standards of quality and veracity, and personally unfulfilling.

Finalization: Audio Mastering Template for Ableton Live

 𝑭𝒊𝒏𝒂𝒍𝒊𝒛𝒂𝒕𝒊𝒐𝒏 is a self-installing Effects Pack and Template Set for Ableton Live Suite 12.4.1+.

 It includes seven bespoke custom effect racks, each meant for a specific purpose in regards to audio finalization and optimized for the highest-quality fidelity and most tasteful results possible. You’re not meant to use every single effect for every mastering job — but amongst the tools provided are all the capabilities towards such ends that one might ever need.

 𝐕𝐞𝐥𝐨𝐮𝐫.         Smooth out top end sharpness.
 𝐒𝐞𝐜𝐫𝐞𝐭 𝐓𝐞𝐜𝐡𝐧𝐨𝐥𝐨𝐠𝐲 𝐄𝐐.  Unique multichannel EQ.
 𝐓𝐫𝐢-𝐋𝐞𝐯𝐞𝐥 𝐒𝐩𝐥𝐲𝐭𝐭𝐞𝐫.    Next-level effects layering.
 𝐖𝐨𝐨𝐟.         Low cut and boost duties combined.
 𝐏𝐚𝐫𝐚𝐥𝐥𝐀𝐮𝐱 𝐒𝐌𝐀𝐒𝐇.    Auxiliary density injection.
 𝐈𝐧𝐟𝐥𝐚𝐭𝐮𝐫𝐚𝐭𝐨𝐫.       Inflator clone using Ableton’s Saturator.
 𝐏𝐚𝐫𝐚𝐥𝐞𝐥𝐥𝐢𝐦𝐢𝐭.      Seamlessly blend MS and LR Limiting.

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Guitaritis Pack Updated for Live 12!

𝐖𝐡𝐚𝐭 𝐢𝐬 𝐆𝐮𝐢𝐭𝐚𝐫𝐢𝐭𝐢𝐬?
 Guitaritis is a deluxe suite of sophisticated amp racks, designed to make the most of Live’s Amp and Cab devices for electric stringed sounds, plus various effect racks to further modify and bolster them.
 
 It Includes…
𝟹𝟶 𝙲𝚘𝚖𝚋𝚘 𝙰𝚖𝚙𝚜.
𝟽 𝚂𝚙𝚕𝚢𝚝 𝙰𝚖𝚙𝚜.
𝟹 𝙼𝚒𝚜𝚌. 𝙰𝚖𝚙𝚜.
𝟹𝟶 𝚂𝚝𝚘𝚖𝚙𝚎𝚛 𝙿𝚎𝚍𝚊𝚕𝚜.
𝟷𝟸 𝙼𝚒𝚜𝚌. 𝚁𝚊𝚌𝚔𝚜.
𝟹7 𝙼𝙸𝙳𝙸 𝙲𝚑𝚘𝚛𝚍𝚜.

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Bussification Pack Update!

 Hi, i’m happy to report that the 𝓑𝓾𝓼𝓼𝓲𝓯𝓲𝓬𝓪𝓽𝓲𝓸𝓷 pack update for Live 12.3 has dropped!

Brian Funk tries out the bussification effects on a mix.

  This is the first of planned updates to every PerforModule pack in order to implement the latest Live 12 features. Continue reading to see the User Manual, the Changelog, and D&D-style Effect Rack Statblocks.

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Push 3: User Mode — Free Template.

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Custom Controller Mapping.

 Just about every Ableton Push owner I’m acquainted with: “Yeah, I know the Push has a mode for custom MIDI mapping… but I don’t really use it for anything.”

 I have at times gone to inordinate lengths to map controllers so they have as many different useful functions as possible. So upon finally acquiring a Push for myself, I was eager to brainstorm how best to integrate its User Mode into the grand scheme. Well, it took awhile, but I got something!

 [Screw all this reading…skip down low to the free download.]

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DeathStalker Released!

Finally.
After 2+ years since the conception of the idea thru research and development, the DeathStalker Audio Effect Rack for Ableton Live is finally here!

What is DeathStalker?

Quite simply, DeathStalker is an Audio Effect Rack that makes guitars sound better.

It’s optimized for heavier distorted guitar tones, but can also sound amazing on clean or modulated electric guitars, acoustic stringed instruments, or just about any instrument.


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Tempo Dynamics

When applying dynamic effects, we are rarely going to need the entire timing ranges available, depending on the tempo, right? The new Tempo Dynamics pack provides go-to racks with minimum and maximum values hard-wired to ranges most potentially useful, given the chosen tempo — avoiding values that are likely too fast or too slow to be helpful.

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