Acquire the “Empathy” Pack this month with Music Production Club membership!

Just dropping the word that if you join my pal Brian Funk’s Music Production Club during February 2024 (for a measly $6 a month subscription fee), you will get the Empathy pack by PerforModule (normally ~$30) as a bonus! Empathy was my attempt at making go-to effect racks for the tonal and dynamic aspects of mixing that just work to make everything sound better.

Empathy includes a few *very select* effect racks. It’s definitely about quality over quantity here.

Ultimatum is a ten-series dynamic sculptor that applies a delicious tone-shaping compression. Pushing drums hard into it creates a very unique smashed sound.

The One’ provides tasty low and high cut filters with the perfect amount of resonance bump built-in, a delectable “more-than-EQ” tone highlight, and a go-to notch filter for the occasion when needing to remove blistering resonances.

The Auditory Miximizer gives you low and high shelf boosts that are calibrated to focus on everything but the least aesthetic midrange zones. It can be dynamic, too.

Dilation Warder: is the go-to gate/expander that is dumb easy to dial in. You can use it to do both. Gate things (so the quietest stuff gets dipped out). Expand things (so the peaks poke up even more). It’s good. I use it all the time in all sorts of projects.


The MPC also comes with a ton of other groovy stuff and nifty perks like hanging out at monthly Discord meetings with us and trying to make music in less than an hour based on prompts.

If you’re a cheap frugal bastard (as I tend to be), you can just grab the stuff, cut and run. Keep everything. No one will begrudge you. The world understands what it’s like to be a struggling visionary. Six bucks to salvation. Or something like that. We should all have more empathy for our fellow humans. Peace out!

PerforModule x pATCHES: “Shapes”.

Shapes is an installable Ableton Live pack built around the idea of custom-shaped modulations.

It consists of an assortment of Shaper presets for applying interesting modulations to any control (by yours truly), and intricate Instruments and Audio Effects built utilizing them (by pATCHES).

You can dive in right away and start making music using the categorized Instrument and Effect Racks, and use the others to further experimentally modulate whatever you want, here and there.

CONTENTS:
•22 Audio Effect Racks
19 Instrument Racks
25 Silhouette Shapes
36 Pulse Shapes
12 Rise Shapes
11 Sawblade Shapes

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Silhouettes are shaped after things, and stuff! They are fun and silly.

Adjust parameters to modify the modulators! For example: a touch of slightly-smoothed jitter adds randomized unpredictable “weathering” to each of the Moai statues.

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Pulses are logical, based on timing intervals. They give access to weird timings that fit within a selectable time span (like 3/13ths of measure) to use for polyphonic and other types of rhythmic interweavings.

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Rises can be used for arrangement and sound design, providing various styles of dynamic ramping of your mapped parameters of choice from one extreme to another. Great for temporary use during build transition breakdowns.

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The standard sawblade LFO shape has been bored to sawdust, but Sawblades adds some new sawblade shapes, based on… saw… blades. Yeah.

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The Effect Racks shift rhythmically, palpitating in wonderfully weird ways.
Organized into categories: Distortion, Hall, Modulated Delay, Room, and Special.

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The Instrument Racks are infused with nested modulators implementing nuanced organic motion.
Organized into categories: Ambient & Evolving, Bass, Cinematic, Piano & Keys, and Synth Rhythmic.

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Here’s a video about Shapes courtesy of Brian Funk:

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And here’s a piece I made using some of the Shapes Instrument and Effect Racks:

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The Shapes pack for Ableton Live Suite is available at Isotonik Studios at an introductory sale price of $22.

Want to get Shapes for free? Ableton is conducting a giveaway of Shapes on facebook to five fortuitous victors!
I’m certainly feeling the love from all the comments on there so far!

Plugin Review: BassTame by lkjb


BassTame by lkjb

‎‎‎ BassTame from the KVR Developer Challenge 2023 is purported to be a bass compressor, yet level-independent. The blurb about it says the energy of the bass signal is compared to the overall signal to determine the bass reduction. lkjb‘s ReFine and QRange plugins are oft used and much beloved, so I was intrigued to find out what this new one had to offer. I’ll break it down based upon my experience testing the plugin out.

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Tempo Dynamics

When applying dynamic effects, we are rarely going to need the entire timing ranges available, depending on the tempo, right? The new Tempo Dynamics pack provides go-to racks with minimum and maximum values hard-wired to ranges most potentially useful, given the chosen tempo — avoiding values that are likely too fast or too slow to be helpful.

Want to limit, squish, groovify, level, expand, or gate something? Reach for one of these racks in the nearest available tempo, and with handy knobs available to fine-tune, then dial it in quickly without worrying about the numbers or graphs… all while retaining the human element of your personal touch still in place. The macro knobs are also useful for automating in an arrangement, say to let something breathe more during one section and then clamp down during another.

I started devising these effect racks back when Live was still on version 9, so I’ve been testing them quite a lot over the last few years. They can be quite handy!


PACK CONTENTS

• 23 Tempo Compressors ranging from 20 to 240 bpm in 10bpm increments.
• 15 Tempo Expanders ranging from 25 to 235 bpm in 15bpm increments.
• 8 Tempo Gates ranging from 30 to 240 bpm in 30bpm increments.
• 12 Tempo Gluers ranging from 20 to 240 bpm in 20bpm increments.
• 23 Tempo Limiters ranging from 20 to 240 bpm in 10bpm increments.
• Bonus for Live 11: 23 Tempo Multibanders ranging from 20 to 240 bpm in 10bpm increments.

The Tempo Dynamics pack costs a paltry $12.
Grab it here from Isotonik Studios.


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New Years 2023 Freebie: “Introspection” Pack.

Effect Racks for Live Intro.

‎‏‏‎ ‎‏‏‎‎‏‏‎ ‎‏‏‎ ‎ ‎Since my son has now acquired Ableton Live 11 Intro, I thought it would be interesting to make a pack of effects that utilize only effects native to that iteration of the software. These include Audio Effect Rack, Auto Filter, Auto Pan, Beat Repeat, Channel EQ, Chorus-Ensemble, Compressor, Delay, EQ Three, Erosion, Gate, Grain Delay, LFO, Limiter, Looper, Phaser-Flanger, Redux, Reverb, Saturator, Tuner, and Utility. This is no paltry collection to smirk at! Quite a range of possibilities. But also — a nice change of pace, being arbitrarily limited in options according to what I am used to as a rack craftor. I saw it as an exciting challenge. At the end, I’m super proud of what I’ve come up with. Methinks I’ll definitely be using these racks in the full version of Live 11 Suite aplenty moving forwards.

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-> Download the Introspection pack for Ableton Live Intro, Standard, or Suite <-

Read about the process of the device creation below.


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Ableton Live 11 Key Map Guide & Template by PerforModule

The PerforModule Key Map Template for Ableton Live 11: mapping computer keyboard keys to as many potentially helpful functions as practical.

The Template

There are three parts to the template:
•a Live Set pre-loaded with the recommended key mappings,
•a Diagram showing color-coded key functions, and
•a Spreadsheet listing custom-mapped and built-in key mappings, also explaining some quirks.

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Mosey on over to this dropbox folder to download the Key Map Template Live Set, Key Map Plan Diagram, and Spreadsheet Guide. Read on for nauseatingly meticulous details below.

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Dither Presets for Metal

(intro)

It’s a set of free presets for Dither, optimized for the Metal genre.

They were made for the mastering of the upcoming metal album, Lust & Insecurity by Animus Invidious.

Noise-shaping dither algorithms are theoretically optimized to “bury” the noise in the frequencies you hear least, while avoiding so much in the preeminent tonalities (in this case, distorted electric guitars focused around 2.5kHz).

Download

You can DOWNLOAD HERE and open the .fxp presets using your DAW of choice. If you happen to use Ableton Live 11, you can additionally access the .adg Racks which allow for more easy snapping-to or fine-tuning of the intensity value.

⚠️ You are also going to need to grab the free TB_Dither_v3 VST2 plugin if you don’t have it already, which has been graciously set free amongst a slew of other awesome legacy TB plugins.

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Parallel-Friendly Native FX Racks for Live 10+: “ParallAux”

Which Effects Work Best In Parallel?

So one day i got it in my head to figure out which of Ableton Live’s Effects are the best to use in parallel.

What is the criteria for this? Simply, which processes alter the phase of audio passing through them, either to the least degree, or in a nicely summable way.

Why does this matter? Because phase offsets, when summed in parallel with the original signal, will inevitably cause changes to the frequency contour. Sometimes slight amounts of this phase offset can add a nice creamy touch to the sound of things (and pretty much all analog gear causes it to some degree), but when being surgically technical like during the finalizing stages of a track, they are generally just not helpful.

An example of not altering phase at all is Live’s Compressor effect which is phase-neutral; it can be used safely in parallel with no unwanted frequency coloration whatsoever.

An example of altering the phase in a “nicely summable” way is Live’s Reverb. Technically, it’s altering the phase a whole bunch, but it’s doing so in a time-smeared fashion which results in far less likelihood of perfectly-lined-up frequency cancellations, and so, when at 100% wet, reverbs can be just fine to use in parallel, and are often preferred this way.

After carefully checking the phase response of all of Ableton Live Ten’s native Audio Effects, i came up with five distinct racks providing combinations of the most parallel-friendly native effects, optimized for specific purposes with maximal versatility of application.

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>Check Out ParallAux via Isotonik Studios<

>Download ParallAux PDF Manual<

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PerforModule Recommends: Effects Order

While we all know that there is no such thing as a perfect or ideal FX chain order for all situations because it totally depends on context, i have eventually developed some general preferences for the order of effects in a signal chain. Recently updating all my templates for Live 11 has further honed my thoughts on the situation.

We can of course swap around the sequential ordering of effect devices, either for a specific intended result or as a matter of experimentation just to see if an alternate routing happens to sound better on given audio.

As usual when sharing my ideas, it is recommended that you not simply adopt the structure as presented, but rather that you test it out in practice and modify things over time to suit your particular style, keeping notes and updating your own templates as you go. Maybe you think the way i place transient shapers before compressors is idiotic. That’s totally fine!

I’ll share below my go-to effects order, and (most importantly)… WHY.
While some of the choices are probably pretty unorthodox, none of them are arbitrary; they all have reasons. Are they bad reasons? Good reasons? Who knows. But i like to think they are built on logical rationale.

Keep in mind you’re seldom if ever going to need all these types of effects on any single track, but for times when you are using even two different processor types, some guidance as to their ordering might prove useful. Resist the urge to add more effects to a chain just because you can. The fewer processors required to get a sound how you want, usually the better.

Scroll to the bottom for a handy cheat-sheet!

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New series of Single-Purpose Racks for Ableton Live 11: “Zinglez”

𝒁𝒊𝒏𝒈𝒍𝒆𝒛 is a new series of individual one-dollar racks for Ableton Live 11 by PerforModule.

Simple and straightforward.
Just grab what the ones that entice you the most.
Ignore everything else!

Read about them below.

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