The PerforModule Audio Effects Pack for Ableton Live, One Knob Wonders, has been given a long-overdue update.
Containing some of my oldest-crafted devices which i used a lot when actively DJing from around 2010 to 2014, it’s well past time to freshen up the pack. I have edited them to have more stable gain unity at various settings and implemented the prevention of occasional obscene overs with various methods of limiting, clipping, et cetera (as appropriate by taste for each device).
Live 11 Version Available
There are now versions of the pack for both Live 10 and Live 11.
Audio- and control-wise, all the racks are identical; however, the Live 11 version makes use of the new capability to have any number of macros shown, so the racks now satisfyingly only show a single macro. Ah, nice. If you have Live 10 Suite now but plan to upgrade to Live 11 later, you can upgrade your pack install at that point too, no prob.
Additionally, i’ve crafted six brand new Audio Effect Racks to spruce up the collection, bringing the total up to 70. They include:
•okw DownFilter Shift One-Knob performance filter which starts dry high and sweeps downward, coupled with pitch, formant, and frequency-shifting.
•okw UpFilter Shift One-Knob performance filter which starts dry low and sweeps upward, coupled with pitch, formant, and frequency-shifting.
•okw Grain Comber Deliberate implementation of comb filtering for characteristic effect.
•okw Splat Swats your audio like a fly, crushing the poor thing and smearing the remains.
•okw Cave Drip Echo Venture into creepy caverns!
•okw Dumbper Get that “Fake Four on the Floor Sidechain Pump” thing goin’ on.
You can get One Knob Wonders at Isotonik Studios HERE for £31.66 (approx $50 USD). Your support is highly appreciated!!
Hi. Reporting that the new pack of Reverb Impulse Responses for any DAW, DankVerb, is now available.
It includes 150 dank, lush, and dystopian Impulse Responses suitable for post-apocalyptic sound design, recorded at 192kHz. They were crafted by carefully combining multiple reverbs together, mad scientist style.
Place elements in mysterious and foreboding physical spaces suitable for fantasy, science fiction, or horror settings.
DankVerb is a perfect companion to Ableton Live 11’s new Hybrid Reverb device. Drop in DankVerbIRs to augment Hybrid Reverb’s built-in algorithmic section. If you’re still on Live 9 or 10, on the other hand, they work great with the Max for Live Convolution Reverb device. Don’t even use Ableton Live? Need a Convolution Engine plugin? No problem. This article by Bedroom Producers Blog has got you covered with some sweet free options.
Bolster your library with the full collection of one hundred and fifty fresh and steaming IRs! Read more details about and acquire the full version of DankVerb at Isotonik Studios: DANKVERB.
That’s all for today. Don’t be jerks to each other, ok?
EMPATHY is a pack for Ableton Live 10+ Suite containing a handful of high-end effect racks designed to consistently improve a wide possible range of audio sources passing through them. Each rack is suited to a particular purpose, with easy-to-dial-in controls. Together they provide a robust toolkit for general mixing and mastering.
Ultimatum: “The ultimate” audio effect rack designed by PerforModule, it’s a 10-step algorithm to magically improve both the tone and dynamics of any audio source in realtime.
‘The One’: One-stop shop for suave, go-to tonal adjustment of tracks in a mix, with low & high cut focus, “light shine” focus, surgical slice, l-r twist, and M vs S intensity.
Auditory Miximizer: The PerforModule twist on the infamous sonic maximizer, with tastefully optimized frequency contours and dynamic reactivity. Comes in 3 versions: stereo, L-R, and M-S.
Dilation Warder: Combination gate and expander for when you want to increase the dynamic range, tighten things up, emphasize punch, and add more of a percussive staccato feel.
Skip to the bottom of this post to check out a video overview of the Empathy by Brian Funk, or read on for a more detailed overview of each the included devices and what makes them special.
Packification So i recently helped our mutual friend Brian Funk reorganize his Live Pack Archive, a $10 massive grab bag of Ableton Live goodies assembled from the freebies that he’s been steadily churning out over the years, all the way from the very first pack in 2011 to the contemporary 200th. It’s a lot of stuff! Judging by the plethora of 5-star reviews of the product on gumroad, it seems like people dig it.
Ah, Convenience Sure, you could go download all this stuff one at a time methodically blog post by post. However it’s much easier to just pay the convenience charge and get all the stuff in one bulk download. This collection has been on offer for a while now, but they were basically presented in a big pile of folders. Fun to scout around for sure, but not exactly optimal when it comes to workflow convenience. Power Up! Aha! See, now the collection is even more splendid, as all the devices come consolidated in two mega-packs with similar categories of sounds, effects, and clips sorted logistically for quick perusal and easy implementation directly from the Live browser (including signal previews). Find, grab, and use the stuff you want instantly. It’s very handy and nice. But… the price is still the same? What!? Crazy, i tell you!
Partake Sound intriguing? Well then why don’t you pull up a chair, situate your ass real comfy, and grab yourself some.
⠀⠀⠀I haven’t performed as a DJ in years, focused on raising my son and home studio work instead, but i was pretty active as one around the Colorado Springs area from about 2010 until 2014. One of the my favorite toys to use to manipulate beats live on my laptop was Alexkid’s Instant Haus, which “instantly generates drum patterns to craft into your own house track” (available free via Ableton). It’s great way to add variation to beats in an organic fashion.
⠀⠀⠀Well, i’ve been inspired lately because we now have available the freshest incarnation of beat juggling voodoo in the form of the 501k Creatives new Beat Shaker device, crafted by the very same Alexkid. It’s a similar concept, but greatly expands on the potential and flexibility.
You may have noticed, i’ve done a bit of a site redesign for performodule.com to make it easier to find stuff that you’re looking for. Now, there are handy thumbnails for individual posts, organized into four main sections:
•Free Ableton Live Packs
•Audio Production Tips & Tricks
•Sale Ableton Live Packs
•Releases & Reviews
Click on one of those to be teleported to a sub-page containing thumbnail links to individual pages for all available articles. Nifty!
Just below the three section links on the main page are blog entries in a linear stream, as before. So if you want to read the latest, just scroll down and see what catches your eye.
You can also find specific posts in several different ways: by Search Term, by Category, by Month, or by Tag (see the column on the right side of the main page, or, if you’re on a phone, scroll all the way down). If you remember reading about something previously you want to look up but don’t recall specifics, one of these methods might be helpful.
To get notified about blog posts as they are dropped, use the “Follow Blog via Email” field. I don’t have direct access to the addresses entered this way; they send you updates automatically. If you want less frequent newsletters (1/month or less), scroll down to the bottom of the blog posts to sign up to the PerforModule mailchimp mailing list instead.
You can even snag the RSS feed if you’re old-school like that.
Be sure to check out the Free Packs section to see if there’s any you missed. Lots of new posts in the works! Keep your brains peeled.
p.s. if you like drum & bass music, check out this amazing new album 170.2 by Phidippus from Denver which i mastered recently. It bumps hard!
Sometimes i forget that i’m a musician. I spend so much time in Ableton Live but most of it is working on things for other people, or working on PerforModule effects or instruments, or refining templates, etc…
But i’ve somehow managed to get my shit together enough to finish off some tunes. It’s my first new music release since 2016!
The Fayt EP‘s basic theme is a journey through time, enacting your own story which is eternally burned into the record of existence and which you can never undo.
𝓕𝓪𝔂𝓽 is a 15-minute epic (built from a hypnosis-inducing fingerpicked guitar lick i wrote around age 16) which i’ve attempted various renditions of over the years, always falling short of my imaginings. The latest version is vastly closer to what i’ve always had in mind for it and is now presented in its “definitive form”. This lengthy piece meanders through various moods and styles, taking the listener on a mysterious adventure.
𝓒𝓻𝓾𝓶𝓫𝓵𝓲𝓷𝓰 𝓡𝓸𝓪𝓭, also mostly written long ago, other than the lyrics and vocal melody which were more recent, has never before been released, and is in a more straightforward “rock n’ roll” style than typical for me. The idea is a road which is crumbling behind you with every step, forcing you to continue onward without the ability to go back. It features lead guitar by Dave Irmo, who originally taught me to play guitar back in the day.
Bandcamp for Bonus Goodies!
I recommend grabbing the music from bandcamp rather than some other service because you can download pure, high quality, lossless, 24-bit tracks, song lyrics are available to peruse, and artists get a higher proportion of the dough. And you’ll also get some super nifty free Bonus Goodies!
The bandcamp release of the EP (just $3) comes with extra bonus instrumental and 5.1 surround sound versions of songs, as well as (for the first hundred EP buyers) a direct download of the premium Guitaritis effects pack for Ableton Live 9+ Suite by PerforModule (worth $35!).
We’ve got a new pack for you, Super Awesome Sounds, featuring samples of the Casio SA-20 Keyboard. This was my first instrument as a kid and thus has a very nostalgic place in my heart, so i recently re-acquired one and went nuts sampling its 100 patches and making instrument and drum racks for ableton live out of them (plus audio effect racks inspired by them), using the amalgamation of my accumulated knowledge over the years to create the most refined PerforModule instrument pack to date.
Since it seemed to fit nicely with his existing collection which includes quite a lot of 80s- and 90s-esque sensibilities, i’ve teamed up with Brian Funk to release the pack. We talked about it as well as various other random topics on his show, the Music Production Podcast. Many thanks to Mr. Funk for having me on, always an interesting and insightful time.
There is a free version of the pack as well as the full version linked below, which can be currently had for just $6 by joining Brian’s Music Production Club this month (along with a bunch of other cool stuff). That’s a sweet deal! The MPC is a great way to acquire a constant influx of goodies into your inbox every month for a very accessible sum, so that even poor, cheap bastards like me can afford it. It’s rad! The price for Super Awesome Sounds is otherwise $15, itself a tubular deal considering the vast assortment of wonderful gadgetry it contains within.
The mbira (aka kalimba aka thumb piano) has a peculiar sound all of its own. I think they tend to sound pretty cool, with a distinctive tone that is reminiscent of some other types of instruments but not quite exactly like anything else.
But what’s this? The Array Mbira? It has four octaves, you say? Including multiple copies of the notes? Well, then. That’s sure nifty.
Madeleine Bloom, whose Ableton Live Tutorials i wholeheartedly recommend, has sampled one such Array Mbira and assembled the results into a series of 34 Instrument Racks for Ableton Live. There are only a small handful of Ableton Live instrument craftors whose work i’ve encountered that put in the depth of care that i consider the level of the adept, and Sonic Bloom is one such. I’ve had the grateful opportunity to give the instruments a deep look and am here to report on my findings.