“Bussification”

The newest sale pack is here: “Bussification”. It consists of channel strip racks designed for placement on groups of tracks, auxiliary tracks, and on the master buss during mixing. Each macro control for each is specifically restrained in minimum and maximum ranges to exemplify the relevant characteristics of different types of instruments.


(massive props to Joshua Casper for the above video demonstration!)

Group Busses
By grouping similar instruments in a mix and placing different Bussification racks onto them, each is given a distinct frequency character “home”, leading to a clearer and more vibrant overall mix when applied carefully. For each buss, decide upon a frequency to enhance, in particular, to help it stand out. You can sculpt the brightness and darkness to fine-tune the resultant tone, remove unnecessary frequencies with “tauten”, and infuse parallel saturation. There is a “juice” control which determines overall intensity of various parameters, parallel saturation calibrated uniquely for each buss type, and finally a knob for natural-sounding, sophisticated level automation which works by balancing various internal parameters.

Auxiliary Busses
Set up two return channels (CMD/CTRL-ALT-T), one for “Dirt” and one for “Space”. Solo them and send just enough of each channel in the mix to it to be able to barely hear. Use “Dirt” to add a bit of edgy presence for a less muddy mix. Use “Space” to emulate a nice room tone, helping to glue all elements together and cohesify punchiness. After balancing all track sends, unsolo the return tracks, reduce their levels to minimum, and slowly introduce them into the overall mix for added vibe and color. A next-level trick is to automate those levels to introduce more dirt and space during different song sections.

Master Busses
Place one of these on the master buss to subtly alter the overall character from digital neutrality to match the media of choice. These each have different controls. “CD” is for general-purpose, modern pre-mastering with an emphasis on the solidity of bass and the clarity of high frequencies. “Vinyl Record” adds in custom emulations of turntable rumble, stylus quality, and surface grime, also with RIAA pre- or post-equalization. “Cassette Tape” is equipped with a very nifty tape hiss generator which creates the hiss based on the original material as well as nonlinear subtle sub and air contour distortion.

Grab “Bussification” over at isotonik studios. Available now!

click on that

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Holiday Gift 2016 – The PK Rocket Monster!

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The PK Rocket Monster is a wild, roaring, growly, nasty multisynth made from samples of the waldorf rocket synth. The really crazy thing about the  PK Rocket Monster is its unique internal self-vocoderization (which to my knowledge has never been implemented in an Ableton instrument until now): it includes two chains, one which plays and one which alters the timbre of the other. You have two selector knobs, one which chooses the Primary Voice and one of which selects the Alter Voice. There are 37 available voices, meaning that by mixing and matching the Primary Synth with the Alter Voice, you have a total of 1,369 possible unique timbres available. (Don’t believe me? Go here and put in “sum 37d37”. Probability is fun!)  The PK Rocket Monster excels at providing gnarly bass tones, but can also result in scorching sci leads. By experimenting you can get even weirder sounds. Suffice to say, it has incredible “replay value”. The samples were recorded at 24-bit, performed by the producer parasite kid.

PK Rocket Monster features:
•Voice matrixing for over one thousand possible resultant combinations.
•”Sweep” control which uses formant shifting for even more timbre flexibility or for drama-intensifying uplifter /downlifter effects (tee hee).
•”Pulse” which arpeggiates the Alter Voice to modify the Primary Voice’s tone rhythmically.
•Pre-calibrated one-knob “ee queue” for quick tone polishing.
•”Grain Amp” for junky chunk.
•”Redrive” for buzzy bite.
•”Space Trail” which dials in metallic ping verb.

The instrument is provided for you in a live set. Once you install it and open it in Ableton, simply drag the rack into your user library in the browser (or hit the little “disk” icon) to save it wherever you want. The samples will be automatically imported into your library for immediate use in any project.

Click the PK Rocket Monster image above, or this sentence, to grab! 

Requirements: Ableton Live Suite, version 9.7+
File Size: 6.36MB (10.4MB unpacked)

 

 

 

ALL Free VST Effect Racks for Immediate Release as of Now

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Due to an increasing upcoming workload, we’ve decided to release the freeVST racks all at once, instead of in monthly batches as originally planned. That’s over four-hundred and twenty individual racks now available! Talk about an expanded toolkit.

These are “default/template” audio effect racks for many different plugins which are available publicly for free in 64-bit. You simply load any of these Ableton racks, and it loads its corresponding plugin (assuming it’s installed). Each rack includes help text which will be shown when hovering over macro controls.

Most of the plugins we have racks available for have 32- bit and mac versions as well; however, some are 64-bit or windows-only. Mac-only and AU plugin racks are planned for a future update. FreeVST racks here will be updated periodically as necessary to reflect developer updates. If you know of a free vst developer we missed or encounter any issues, please leave a comment.

ABLETON LIVE 9.6 required (Intro, Suite, or Standard).
Yes, you can even use all of these racks with Live 9 Intro!

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Tons of new stuff: “Collection Three”

COLLECTION THREE includes 6 brand-new, premium, self-installing Ableton Live packs, which can be purchased individually or as a collection for some ultra-snazzy discountage. Isotonik Studios is the place to find them.
There are various audio demos at performodule’s soundcloud.

DynaMixing Four
dynamixfour
A shrewd set of audio effect racks with streamlined workflow for potent mixing in mind. Includes some “Artificially Intelligent” devices in the vein of the “Ionic FX” pack.
Stuff it comes with…

3-Stage Compression go-to which can be set as-needed for source material with any variety of dynamics.
Auto-Width Curtailer dynamically narrow unnaturally wide stereo.
Eleven push it (barely or way) over the cliff edge with a special chain of eleven co-reactive serial processes.
Expandurator (not to be confused with the easier-to-use but simpler Exbandurator) this allows for extremely precise fine-tuned “parallel bandpass expander saturation”, which allows frequency-specific material hidden in a part to be brought to light in a mix almost magically, with minimal alteration of level.
Flabber a unique method to beef up your low end.
Froptical Compressor a quirky multiband optical-style compressor which can be used to massage the overall tone with analog suave.
Jitterator add in randomly flickering, frequency focused saturation. Nice for adding analog humanization to digital parts.
Near vs Far one-knob method to emulate characteristics of closeness or distance (minus the volume level aspect).
Tight vs Dense one-knob method to fade between a tighter, more focused sound, and a denser, bigger sound.
Frequency Highlighter play a loop & sweep this around, making note of resonant frequencies. Or use the Auto-Sweep version, sit back, let it do it’s thing, and drink a tea.

Guitaritis
guitaritis
A deluxe suite including combo amp racks making the utmost of Live’s built-in Amp and Cabinet devices, “Stomper” effects designed like guitar pedals and guitar Chord presets.
Stuff it comes with…

Combamps a whole bunch (30) of combo amps which are crafted to optimize Ableton Live’s built-in Amp & Cabinet devices to their utmost. These racks make it much easier to dial in your sound (combination of preamp drive, tone, envelope settings, biasing, and gain structure) without having to constantly adjust the output level to match as well. They also optimize your timbre selection options by providing many “dual” and even three “triple” racks, which combine and balance the tone of multiple amps. In testing, these multi-combamps have been much-appreciated for an expanded range of unique amp flavors, as you now basically have 30 unique amp models, instead of 6. All combamps have been gain-staged at multiple points in the signal chain using both Peak and LU matching with both “Strat”and “Les Paul” styles, as well as bass electric guitars. The dual & triple combamps are gainstaged with a system resulting in relatively balanced levels at all gain settings when using wide panning (so that one amp is not way louder on one side than the other one). Since every guitar has its own tone & envelope character, these values are guaranteed to be imperfect, but it should result in you only needing to make miniscule volume adjustments to fine-tune your ultimate sound.
Post Amp Compressor a simple compressor with settings calibrated ideally for taming an amp output’s transients.
Guitar Chords 35 presets for Chord based on actual human guitar fingerings.
Stompers 18 racks set up like guitar pedals, designed for use with a Combamp akin to a physical guitar routing setup.  If you have a midi foot controller you can use them exactly as such. Includes…
Booster
Chomper
Comper

Dister
Dualay
Flonger
Gater
Glitcher
Phozzer
PitchDownDelay
PitchUpDelay
Smevel
Somber
Sproing
Swamper
Toner
Tremotary
Whamper

Groovification 2
groovenose
A robust collection of groove files which implement rhythmic “chop” effects in quarter, eighth, and sixteenth-note patterns.
Stuff it comes with…

Chopper Grooves 302 of them! Drop a Chopper Groove onto an audio OR a MIDI part, make sure your global groove amount is up, and hear it do its thing. Drop different Chopper Grooves onto different tracks… then when you turn global groove amount up… they all start chopping in their own way.

Harmonicality
harmo
Audio effect and MIDI racks designed for enhancing and manipulating harmonics by various methods.
Stuff it comes with…

Harmonic Colorizer enhance harmonics using various different methods. By using different amounts of each knob, you can set up your own unique boost texture to help a part stand out against its various song elements, or use it to subliminally add a particular color to a submix or mix.
Overtone EQ (3 versions) EQ racks set up to select a target frequency, and then manipulate the harmonics based on that frequency. The Even & Odd version allows separate control of even & odd harmonics. The Even vs Odd will boost Even or Odd and attenuate the other (useful for hearing the difference between those types of harmonics). The Sculptor version is useful for manipulating each harmonic interval individually.
Undertone EQ (3 versions) just like the Overtone EQs, but these manipulate lower harmonics instead (not as common of an operation). They include the same 3 versions.
Harmonic Chord Presets these will add in MIDI notes based on harmonic intervals. Simple, but useful. Includes 2nd through 4th harmonics which each add only 1 note and also CoarsePerfect, and Undertone versions which each add multiple harmonics.
Harmonics Extender (3 versions) MIDI racks which can be used to set (& automate) the amount of added harmonics. Includes CoarsePerfect, and Undertone versions.

Amplitude Operands
ampop
Utility presets allowing to divide or multiply level according to Sound Pressure Level, Acoustic Intensity Energy, and Perceived Loudness Sensation.
Stuff it comes with…

Sound Intensity by Energy (Utility Presets)
Sound Loudness by Sensation (Utility Presets)
Sound Pressure by Voltage (Utility Presets)
divide or multipy audio level by either “SPL”, “SIL”, or “Volume”. This is technical stuff. Check out http://www.sengpielaudio.com/calculator-soundlevel.htm for more info. Basically…
-use SPL (voltage) division when you want to sum parts perfectly (i.e. 5 copies of something each divided by 5 SPL and recombined will equal the exact level of the original)
use SIL (energy) for acoustic energy calculations. Like, let’s say you’ve got a really small sound, like a pin drop. Multiply it by 100 SIL to estimate the level provided by 100 pins dropping at the same time.
use Volume (loudness) for the human perception of level.
So, to make something seem twice as loud, subjectively, multiply it by 2 Volume.
There are also included some racks to choose/automate which multiplier/divisor to use:
SPL Divisor

SPL Multiplier

Volume Divisor
Volume Multiplier

Note Range Setters
noterangemash
An assortment of midi racks, primarily for composers, which filter incoming notes according to standard instrument & vocal ranges, plus tools for making custom note ranges.
Stuff it comes with…

Note Range Setter (Absolute) define a playing range by setting the lowest and highest allowable notes
Note Range Setter (Relative) define a playing range according to distance from a root note
Note Range Blocker (Relative)
set a sub-range of notes to block from being played within a range

Includes individual MIDI racks for a vast range of classical and folk instruments, as well as standard vocal ranges:
Brass
36 instrument ranges
Exotic 2 instrument ranges
Guitar & Plucked 58 instrument ranges
Mallets 8 instrument ranges
Percussive 5 instrument ranges
Piano & Keys 14 instrument ranges
Strings 15 instrument ranges
Voices 35 vocal ranges
Winds 88 instrument ranges
Simply set a note range before a MIDI instrument to allow it to only play notes within that range.

NEW Sale Packs: “One Knob Wonders”, “Advanced Splytterz”

Two new premium packs for Ableton Live have been released, after extensive testing periods.
These are some of the most robust and practical stuff we’ve created yet!
All Premium PerforModule packs are self-installing, meaning that you simply drag them into Live and all the devices will now be in your library, categorized.

okw 1“One Knob Wonders”
Includes 64 different single-knob effects, each designed for a specific purpose.
They range from highly practical mixing tools to wacky, nifty performance tricks.
<- Click the link for more details.

Here’s a highlight of some my favorites from the set…
Noisify: adds source-reactive noise and degrades signal
FonePhilter: retro telephone tone with signal overdrive
DownFilter Dirty: performance sweep utilizing Live’s new analog filter functionality
GrainPitch Up: crude realtime pitch shifter
Pianosator: “piano reverb” of chromatic resonances
BassCream: velvety bass guitar process based on a classic pro studio workflow
Shredder: scorching tone for hard rock/heavy metal lead guitar, easy-peasy
Characterizer: adds mid-range richness and warmth
De-Essify: de-esser which works like magic
JuiceSnapper: aux buss finalizer / transient enhancer
SuperUltraMega: Makes. Stuff. Louder.
Chube: chorus to sound like going through a metal tube
Breepitate: glitchy fun
BrownLoop: loop and shift a clip down to half speed
SeaShore: transform any audio into a pleasing surf wave
PongFreez: more glitchy fun
TapeFlange: emulates splitting the feed into an extra tape machine

Want a taste test? Click here to grab “DownFilter Dirty” from One Knob Wonders right now for free!
(The free effect posted here will be changing periodically)

Splytterz Icon
“Advanced Splytterz”
Includes template racks used for splitting up any audio source into multiple chains by various methods.
<- Click the link for more details.

Useful for when you want to do things like
-apply different effects to different frequency ranges
-apply different effects to the left and right sides of a stereo file
-apply effects to just the mid or side channels for super easy m/s processing
-different effects chains which alternate based on a time interval
-effects applied separately to above and below a transient threshold
-etc…
It also includes three “tri” devices pre-loaded with effects and a “behind the back panner” for an interesting phase-shift panning technique.

 

~ALSO~

drumhead smTelling you about the “Drum Enhancerz” Ableton Live pack by PerforModule.

<- Access the sale page by clicking on the drum head.

It includes racks which are calibrated for sculpting of specific drum elements. Included are…

Enhance Cymbals
Enhance Kicks
Enhance Overheads
Enhance Snares
Enhance Toms

Each rack includes 8 macro controls for sculpting your drum sounds with ease.
A few of the capabilities are…
-plush control for smooth cymbals
-smack control to add top attack to kicks
-smash: go-to overhead compression
-pitch-matched resonance for boomy toms

Remember, your best “bang for buck” is to grab “PerforModule Collection 1”  and “PerforModule Collection 2” !

3 New Things: Ionic FX, Vinyl Snackler, PK Rocket Droner

1 ~ NEW sale pack available via Isotonik StudiosIONIC FX3
“A set of source-reactive audio effect racks for refined tone-sculpting capabilities.”

Ionic Rubix transparent w shadow

 

Ionic FX

The IonicFX3 pack is self-installing, meaning all you have to do is double-click it once and say yes to a couple of dialogue boxes for all devices to appear, categorized, in your core library.
Includes the following devices:

Ionic Filter
A low-cut filter coupled with a high-shelf filter, which dynamically react to the input characteristics and to each other for organic attenuation.
Ionic DeNoise
A multiband denoiser which reacts to the input signal in an attempt to carefully preserve the original tone.
AI Buss Glue
Go-to buss compressor with parameters reacting to both input and output signals in realtime, in order to maximize its usefulness moment-to-moment in response to dynamic material.
AI Track Comp
Well-behaved channel compressor with parameters reacting to both input and output signals in realtime, enhancing makeup gain automatically while setting the dynamic threshold intelligently.
Anionic Console
An old-school vibe channel strip, meant for adding impact and color.
Bright Valley Compressor
A "mid-side serial mastering compressor" taking its routing configuration inspiration from a famous hardware mastering compressor but having its own distinct sound, this is actually 4 compressors: 2 in series each on the center and side channels.
Exbandurator
A "parallel bandpass expander-saturator", it's a super-useful, supremely easy to use tool to add a specific color to an audio source while otherwise leaving it intact.
Ionic Bass Strip
A channel strip specially calibrated for use on bass guitar and bass synth instruments, with ai-reactive self-leveling tone stack pots, parallel routing, and custom waveshape growl.
Ionic Melody Strip
A channel strip specially calibrated for use on virtually any instrument besides bass, with ai-reactive compander to mold dynamics, sensual tone-shaping controls, and sleek width enhancement.
Ionic Space
Mid-side reverb + delay which reacts dynamically to bloom during softer moments, curtailing itself during transients to preserve natural clarity.
Ionic Tracking
Place on an input channel during tracking to assist with the performer's monitoring. This allows for fine-tuning the sound in their ear for a more pleasurable recording experience.

2 ~ NEW free pack available via AfroDJMac: Vinyl Snackler
“Instrument with 128 Unique Analog Vinyl Noise Loop Samples.”

This is a sampler instrument which is designed to play a loop of background vinyl noise which you can select from 128 unique samples, each with their own character. Some of the samples are primarily background hiss, but some also have pops, clicks, and other artifacts which can be useful as percussion elements. Big thanks to the one and only AfroDJMac for hosting this device.
afrodjmac vinyl snackler
(It’s free! Go grab it!!)

PS…. if you are not already a member of the ADM Music Production Club, then you are missing out on a crazy-affordable source of insanely cool, high-quality, monthly awesome stuff delivered to your face. If you are interested in steadily building up your ableton library full of production and performance assets to be able to more quickly dive in to making your own bizarre unique sounds and developing your own twisted techniques, this is one of the most practical possible methods you can consider, especially if you’re a fan of the more odd and innovative side of things (which, if you’re reading this here now, i’m guessing you probably are).

 

3 ~ NEW free pack available via SideBrain: PK Rocket Droner
“Self-Mutating Texture Drone Synth”

pk rocket droner image

(It’s free! Go grab it!!)

An epic studio jam between Phat Kid, KdoubleU, and myself was recorded after a show on March 20th, 2015 (night of the “super moon”), which Phat Kid traveled from New Mexico to play at. We captured a range of timbres from his Waldorf Rocket synth, routed through tasty analog gear on the input line.

Huge thanks to SideBrain for hosting this device! Check out the site for more ableton grooviness to geek out on and grab.
Be sure to check out Phat Kid’s Music on Bandcamp
This is some of my favorite music ever, and not just because i know him personally. It is truly tasty. He primarily uses Renoise to compose which is intriguing of itself.

This is the first of various “PK Rocket” instruments which will be coming out.
This instrument is organic, giving you slightly different results every time you press a key, and morphing randomly as a key is held. It is great for trippy, droning textures. It is encouraged to automate and process it to the moon and back. Just have fun.

 

Free LANDR “Tone Sculptors” Ableton Live pack + other nifty stuff

I recently helped tweak and finalize a set of free audio effect racks in collaboration with online mastering service LANDR.
These are three effect racks suited for quick and easy “tone sculpting” of parts which are centered on low, mid, or high frequency ranges.

Check out the story about it and find download links here: www.ableton.com/en/blog/free-landr-tone-sculptors/
tone sculptors ableton

If you’ve never used LANDR, i highly recommend it as a way to test your mixes. Finish a mix and send it off to LANDR… listen to the master they send back to you, hear problems more clearly, and then go back to your mix and fix. It’s also a great way to get a new track ready for live performance before it has been sent off for professional mastering or officially released.

Also, check out the new ARCHIPEL ELEMENTS live pack, with drum racks featuring juicy recorded samples ranging in the 4 elements – earth, water, air and fire. Great material for sound design and experimental composition.

archipel elements
ALSO be on the lookout for the epic “DynaMixing Three” Live pack which will be releasing at isotonik studios this friday. This pack includes some of the most insane and advanced devices yet developed by PerforModule, featuring envelope followers which “automagically” adjust certain parameters in response to input characteristics. Some of these effects are “secret weapons” for sublime mixing and mastering solutions.
Check out the video overview for “DynaMixing Three” HERE.

dmthree

(There is EVEN MORE incredible stuff going on behind the scenes which you will find out about soon.) 

P.S. Bonus shoutout to AFRODJMAC for being super groovy. You should totally join the afrodjmac music production club, because i said so. And because it is very affordable, and awesome.

Enjoy!