Free LANDR “Tone Sculptors” Ableton Live pack + other nifty stuff

I recently helped tweak and finalize a set of free audio effect racks in collaboration with online mastering service LANDR.
These are three effect racks suited for quick and easy “tone sculpting” of parts which are centered on low, mid, or high frequency ranges.

Check out the story about it and find download links here:
tone sculptors ableton

If you’ve never used LANDR, i highly recommend it as a way to test your mixes. Finish a mix and send it off to LANDR… listen to the master they send back to you, hear problems more clearly, and then go back to your mix and fix. It’s also a great way to get a new track ready for live performance before it has been sent off for professional mastering or officially released.

Also, check out the new ARCHIPEL ELEMENTS live pack, with drum racks featuring juicy recorded samples ranging in the 4 elements – earth, water, air and fire. Great material for sound design and experimental composition.

archipel elements
ALSO be on the lookout for the epic “DynaMixing Three” Live pack which will be releasing at isotonik studios this friday. This pack includes some of the most insane and advanced devices yet developed by PerforModule, featuring envelope followers which “automagically” adjust certain parameters in response to input characteristics. Some of these effects are “secret weapons” for sublime mixing and mastering solutions.
Check out the video overview for “DynaMixing Three” HERE.


(There is EVEN MORE incredible stuff going on behind the scenes which you will find out about soon.) 

P.S. Bonus shoutout to AFRODJMAC for being super groovy. You should totally join the afrodjmac music production club, because i said so. And because it is very affordable, and awesome.


Sometimes the simplest things are the most useful… introducing the free “Utilification” Ableton Live Pack

Here’s a {free} ableton live pack of effects that are made for simple yet extremely useful purposes, including fading, stereo panning, m/s encoding and decoding,.

It is highly recommended to grab these and implement them into your Ableton Live library.



Audio FX

“-inf to +0 Fader” — just like it says, this is a simple fader from negative infinity to zero decibels. When you want a quick and easy volume knob that goes all the way to silence and maxes out with no boost (unlike the “utility” device), use this.

“LR to MS Controller” — this will switch a Left-Right Stereo file to transmit its left channel as the sides and its right channel as the center, or you can swap those results so the right is the sides and the left becomes the center.
You can then tilt the center and sides channels, mute them, and alter their levels.

“MS to LR Controller” — this will switch a Mid-Side Stereo file to transmit its sides channel as the left and its center channel as the right, or you can swap those results so the center is the left and the sides becomes the right.
You can then tilt the left and right channels, mute them, and alter their levels.

[an example of using these controllers would be to make an MS recording into LR to be able to apply a stereo effect to it, then to return it back to MS again]

“Instant Muter” — Mutes the audio, plain and simple, the moment the knob is moved above its minimum value. Use this to be able to easily interrupt the audio flow wherever you want within a chain.

“Stereo Panner” — Allows for “stereo panning”. Using clever routing, this allows non-exclusive panning of audio wherein the content from the opposite side is moved over rather than being faded out (while maintaining overall level). This allows for more natural-sounding panning of stereo sources without losing material.
[For example, let’s say you have a stereo track with a guitar panned hard to the left side and a piano panned hard to the right. Normally if you use a pan knob to move right, the guitar sound would be lost. With this, panning right will gradually move the guitar over to the right along with the piano, rather than removing it.]

“Phase Adjust” — Select among 4 phase-flip options with one knob, and implement micro-delay to align waveforms more carefully, either between the source and the mix or between the left and right halves of the source.

“Utilify” — “Swiss army knife” which includes most of the above devices in one rack.  Use this as a more robust replacement for Ableton’s built-in Utility effect.

—>>> Download “Utilification” for Ableton Live 9 via Isotonik Sutdios <<<—

Final PMX Instrument pack release + Free “Square Lead Synth” Instrument

The final slew of PMX instrument packs has been launched at Isotonik Studios.
*Whew* Now THAT was a project…

At some point close to a year ago now, I decided to multi-sample all the patches of my trusty 88-key Casio Privia PX-300 Digital Piano, which i have had since 2005 and is my main midi controller for composing melodies or playing them live. Originally i had intended to do so merely to archive the instruments for my own personal production usage, for the eventual day if/when the PX-300 parts my hands or breaks down. I decided to sample them at an ultimate quality level according to my current capabilities, which happened to be 96kHz/24-bit input via dual triode vacuum tube and custom artificially-intelligent, signal-reactive processing with specific [now retired] alien intuition  PerforModule Live Pack devices. So these samples are juiced-up versions of the original PMX samples. I find myself enjoying the “sampler” versions of these instruments way more than the original patches — they sound more crisp, have fun added capabilities, and are so easy to use “in the box” at a whim.
So i figured… “why not also offer them as patches for other Ableton Live users?” …and thus you have available the PerforModule PMX Series at Isotonik Studios.
Right now, Enter BYEBYE at the checkout to get 50% off the PMX series (!!)

The PMX instruments have been spared no element of utmost quality and usability in their formulation.

Each patch includes a unique sample for each of 88 keys, and includes its own set of 8 custom macro controls which reflect characteristics of its physical instrument counterparts
(a few examples…
-pianos have a “piano reverb” which blends in subtle chromatic resonance, and controls to mimic “soft” and “sustain” pedals.
-organs have a “leslie rotary” dual cabinet which follows the exact specifications for the classic dual rotating leslie speaker effect.
-the bagpipe can simultaneously play a drone note and a chanter melody, and switch between them.
-harpsichords can add a sound similar to the sound of the keys “plunking”.
-xylophone type instruments have an effect emulating a rotating butterfly valve.
-guitars have a “palm mute” knob as well as “whammy bar” for subtractive vibrato or crazy pitch divebombs.
-the sitar can have its string-buzz amount set, as well as the key, mood tonality and strength of the sympathetic strings.
-orchestral strings such as violin can choose between a bowed, plucked, or hybrid timbre.
-brass and woodwind instruments can use a “flutter tongue” effect as well as alter the valve sound.
… + many, many more)

The start, end, loop points, crossfades, and volume levels for each note of each instrument were individually fine-tuned by hand for all 88 notes of every instrument for ridiculously consistent response and tone.  That’s over 12,000 samples… yikes.

The PMX instrument sets are available as self-installing live packs grouped by style, with instruments automatically categorized into your library’s “category” section for super-easy access. After purchasing, all you have to do is drop the .alp file into Live and everything will install on it’s own with no work or confusion required by you.

Each pack has one fully-functioned freebie instrument, available at the aforementioned Isotonik Studios.

>>>The FINAL FREEBIE, the brand new “PMX-300 Square Lead” instrument can be acquired for FREE ONLY HERE by clicking<<<
(Requires Ableton Live 9 + “Sampler”)

Listen to a demo of the “PMX Square Lead + other instruments from the pack “PMX-316 Synth Leads” play this song from the NES game “Legacy of the Wizard” (written by Yuzo Koshiro)

(audio demos for all of the pmx instrument sets are available at the performodule soundcould)

More fully-functioned free PMX instruments are located at these fine locations around the web.
Go ahead and grab ’em!

“Warm Brass Synth” via AfroDJMac (from “PMX-313 Brass”)

“Koto” via SonicBloom (from “PMX-309 Exotic Plucked”)

“Glockenspiel” via Bedroom Producers Blog (from “PMX-306 Mallets”)

“Drawbar Organ” via Subaqueous Music (from “PMX-303 Organs”)

“Tremolo Strings” via Audiobombs (from “PMX-311 Strings”)



(!) Now until the PMX series retires, Enter BYEBYE at the checkout to get 50% off (!)


PMX Instrument Packs Available

PMX-301 Classic Pianos
PMX-302 Funky Pianos
PMX-303 Organs
PMX-304 Reeds
PMX-305 Clavis
PMX-306 Mallets
PMX-307 Guitars
PMX-308 Basses
PMX-309 Exotic Plucked
PMX-310 Melodic Percussion
PMX-311 Strings
PMX-312 Pads
PMX-313 Brass
PMX-314 Woodwinds
PMX-315 Exotic Winds
PMX-316 Synth Leads
PMX-317 Synth Strings
PMX-318 Synth Voices
PMX-319 Bonus Sounds

 [Super Hint: for the best deal, grab the “Everything” bundle. This is also the only way to acquire the “PMX-319 Bonus Sounds” pack which includes soundscape-worthy instruments such as “seashore”, “reverse cymbal”, and “helicopter”.]

Free Ableton Live Pack: Midi Dynamics

Midi Dynamics BrowserPresenting Midi Dynamics, the latest PerforModule free pack.

It includes 4 simple yet useful devices specifically for controlling midi dynamics, and one silly device with various fun-ctions. Click image to grab!

Midi Dynamics

Included Devices:

Midi Compressor
Smooth out too-loud midi instrumentation.
Use this like you would an audio compressor, to attenuate midi notes which exceed a certain velocity. All notes exceeding the threshold will be attenuated. The further past the threshold it is and the higher the amount is set, the more a note will be attenuated. Notes below the threshold velocity will not be affected at all.
Example usage: Playing a synth instrument melody in which notes above a certain velocity become too harsh-sounding due to a filter resonance tied to the velocity. Use the midi compressor to soften only those too-harsh notes. 

Midi Expander
Smooth out too-quiet midi instrumention.
Use this like you would an audio expander, to boost midi notes which are below a certain velocity. All notes under the threshold will be boosted. The further below the threshold it is and the higher the amount is set, the more a note will be boosted. Notes above the threshold velocity will not be affected at all.
Example Usage: Trying out a melody with a different synth instrument, and the quietest notes are now much quieter than they were previously due to the new instrument’s velocity mappings. Changing the mappings or note velocities would take too much time so you just use the midi expander to lift up the quietest notes.  

[Midi Compressor and Expander Special Notes: You can use Live’s “Velocity” device by itself to attenuate or boost overall note velocity; however these devices are useful for more precise and careful dynamics control, by using the threshold to set a cutoff point. Notes nearby other notes do not affect each other’s response the way an audio compressor’s transients do, so imagine them as if they have perfectly fast & noiseless attack and release.]

Set the velocity to a specific value.
Use this when you want rigid control of the velocity of an instrument, to be able to use a knob or automation to set the level at any moment to an exact setting. This overrides input velocity and all velocity effects prior to it in the chain.

Velocity RNG
Add in a bit of random fluctuation to an instrument’s velocity.
At small amounts, this will add in a bit of “humanization” and make the playback of instruments less robotic sounding. At higher settings it will vary more sporadically, until at maximum, a note of any input velocity may result in an output of any possible velocity. Tip: record a midi track with little or no dynamic variation into another midi track, routed through this device at a low setting. The new midi track will now have random difference applied to each note.

This is a rack with various tools to quickly alter a midi instrument’s input. Macros include:
-Mutant DNA: adds in a random chance that played notes will instead “improvise” and play a different note. The higher the control is set, the more chance of a mutant note, and the further away from its original value it might stray.
-Force Scale? -Key -Major or Minor?: optionally implement a scale selector to force all notes to conform to a chosen major or minor key. Niftily see the choices in the macro control’s numerical box.
-High Octave+ -Low Octave+: Blend in added octave notes (Make sure the instrument you are using has enough voices enabled to cover the added notes).
-Random Velocity: adds in velocity flux just like the “Velocity RNG” device.
-Dynamics: the default position for this is in the middle (63.5). Turn this up to drive overall note velocity; turn it down to soften overall note velocity.

“8-Bit Reverb” free effect rack

Sometimes you want a pristine reverb with the most delicate and precious tail imaginable.
Other times, you want a layer of digital dirt to add a touch of gritty color.

For those other times…
here’s another new free audio effect rack for Ableton Live 9.
It’s called “8-Bit Reverb” and is a lo-fi reverb effect that can be used on individual tracks or in a return channel.
It stays at an output bitrate of 8, for an old-school computer noise sound.
It has robust controls for sculpting the timbre easily to apply to many versatile usages.

GRAB “8-Bit Reverb” for Ableton Live 9 for FREE by clicking here
8-Bit Reverb Image







Macro Controls

The amount of reverb.
At 0, effect is bypassed.
To use this as a send effect in a return channel (in order to add amounts of the same reverb to different channels), set it to 100% (127).

Tone Width:
Affects the reverb and erosion bandwidth.
Increase this for a more dense, colored sound.

Alters many parameters simultaneously.
Set this carefully for the desired reverberation contour.

Adds in erosion coloration to the reverb layer. At 0, no erosion is added.

Sculpts the lower range of the reverb. Boost this for more boominess.

Freq Center:
Sets the midpoint of the reverb and erosion tones.
In conjunction with Tone Width this has a great effect on the overall sound.

Sculpts the upper range of the reverb. Boost this for more shimmer.

Divides the sample rate by the number shown.
(Note that the bit rate is always set to 8; dividing the sample rate further degrades the sound.)

Example Usages for 8-bit Reverb
-when needing to add a reverberative type of effect to  chiptune-style music but wanting to maintain 8-bit fidelity
-to add grit, warmth, and character to audio parts (for example, a snare drum)
-to layer in with other reverb in a send channel to add lo-fi coloration to it

If you enjoy listening to 8-bit music…
Pre-Order the new album “8.1 Bit” by Animus Invidious x St. Bernard!
8.1bit_red_white (1)

New “eVokalization” voice-sampled free Ableton Live pack released at

My pal eVokal makes music out of his voice. He beat-boxes and sings and loops it, processed by a kaoss pad and a looper pedal. We’ve been jamming for years (including with the band “Gaia Experiment”) and he’s been featured on my released music more than once (including most recently on this track: ).

We recently sampled him beatboxing and singing with various crazy processing (at super-high quality) and we have made it into an amazing Ableton Live Pack consisting of
-BeatBox Drum Rack — each sample is individually set up with a custom fx chain for a tight, fat sound, and some trippy sculpting possibilities.
-“BeFeelSee” Synth — this is a 3 voice synth, including a gnarly digeridoo-like bass layer, a quirky human voice layer, and an angelic, crystal-smooth string-like layer. You can fade between the layers as well as apply an assortment of weird and tasty modulations.
-BeatBox Percussion Clips — these are ready to drop in and use as-is, or chop up as desired. They are individually warped for ideal transient response when shifting to faster or slower tempos, so even though they are each labeled with the tempo they were recorded at, work perfectly at even extremely fast or slow tempos.

The auto-installing live pack (complete with lesson that automatically opens upon install) has been released at, one of the absolute hottest online locales for Ableton-Live related awesome free stuff and tutorials.
Definitely check out the tutorials, as i have learned some really neat tricks there!

Grab the “eVokalization” Ableton Live Pack
 FOR FREE here:


Listen to a Demo of  “eVokalization”

For fun, here’s a picture of me and eVokal performing at Rubbish Gallery 12/12/2009 (image credit Bradley Flora ).

eVokal & animus by Bradley Flora

“Planetary Convolution” – a new set of impulse-based reverbs for use with any DAW.

Now unveiling “Planetary Convolution” – a pack of Reverb Impulse Responses, each based on a planet (including dwarf planets!) in our Solar System.


They were created using different custom settings of Ableton’s built-in Reverb Algorithm, re-sculpted into Impulse Responses, and then further enhanced.

Each is presented as a “Convolution Reverb Pro” preset for Ableton Live 9 (+MaxForLive) with individual IRs, tone control parameters and a special 1-knob extra effect each.

Using Ableton Live, the presets will open with their corresponding impulse files automatically.
Non-Ableton users can use the IRs too… just open them with your favorite Convolution plugin (though you won’t have access to to the custom EQ shaping parameters and bonus FX, sorry).


“Planetary Convolution” is available at Isotonik Studios.  <<<<—- Click Here.

(If you’d like to snag some original Convolution Reverbs by PerforModule for FREE… check these outGT-8 Convolution & Fostex MR8 MKII Convolution.)

Now for an overview of the Impulse Responses that come with “Planetary Convolution”.

Mercury Reverb_
Has a sizzling, bright tone, like you’re getting fried by the sun.
Xtra FX: “Liquid” – adds a creamy movement; molten.

Venus Reverb_
Sandy-sounding with a smooth high end.
Xtra FX: “Scorch” – adds a subtle fuzz which is affected by the tone control. Also has an enhanced “Thick Chorus” control.

Earth Reverb_
Our good ol’ home planet, you know? This has a medium room sound, good for hip hop drums. The overall tone is (you guessed it) earthy.
Xtra FX: “Gravel” – this adds a nice gritty, chalky color to the reverb.

Mars Reverb_
This reverb has a punchy, forthright quality. It is well-suited for march-style drum patterns, brass, or other high-energy instruments.
Xtra FX: “Anger” – dials in some burning bite to the sound.

Jupiter Reverb_
This reverb has a ridiculously long and smooth tail (25.6 seconds to be precise). Use this for extreme spaciousness and super fade-outs.
Xtra FX: “Storm Swirl” – adds movement to the sound as you get carried along the current.

Saturn Reverb_
Very large and with a resonant, ringy quality.
Xtra FX: “Rings Twirl” – take a trip along the concentric circles.

Uranus Reverb_
Has a billowy texture, as if enveloped in thick fog.
Xtra FX: “Vapor” – adds a smokey layer of reverbish decay.

Neptune Reverb_
Has an icy, chilly spaciousness.
Xtra FX: “Frost” – dial in some crystalline crunch.

Pluto Reverb_
Very small, very cold. Just listening to it will drop your body temperature by a few degrees.
Xtra FX: “Interior” – fade into the interior cavity of the sphere. It must be hollow?

Eris Reverb_
A lesser-known dwarf planet, Eris is known as the Goddess of Chaos, having a bizarre orbit.
It has a short, foreboding sound, like the feeling of someone watching over your shoulder.
Xtra FX: “Dirt” – adds a muted, broken darkness.


By Style_
Booth Type (very small)

Room Type (small)

Hall Type (large)

Epic Type (vast)


Mars Reverb Image

Ableton Racks Macro Controls_
Dry/Wet: Convolution Reverbs tend to be quite lush, and often are audible at even 1% wet. These start at 23% as a default starting position — make sure to adjust this carefully to not over-use reverb.
Tone: Starts in the middle by default. Each planetary reverb has its own unique band interactive filtration which will occur upon moving the “Tone” control up or down. If you have the EQ pane open, you can see a visualizer of the audio input spectrum and the EQ curves. After adjusting with the “Tone” dial, you can grab any of the 3 individual EQ nodes and adjust them by hand to fine-tune (they are not “locked” to the control). However once you move the tone knob again, that planet’s custom filter curve will take over again.
Distance: This begins at the default (normal) setting. Turning it down will make the object sound closer; turning it up will make it sound further away. Use this to alter the spatial depth of elements in a mix.
______ (Special Effect): This Macro is named differently for each planet, and has a different sonic effect on each.
Predelay: The time before the reverb first begins. Can be useful for preserving your original transients or adding a stuttered rhythmic feel.
Chorus: Adds a subtle creamy stereo movement. The planet Venus has a more extreme “Thick Chorus”.
Stereo Width: Lower settings place the reverb at the middle of the stereo field; greater setting lead to more spread up til the maximum possible.
You Can Also: Using controls on the Convolution Pro device (which aren’t mappable to the audio effect rack), one is able to lengthen or shorten the decay, shorten or lengthen the size, combine 2 different planet IRs attack and decay sections, alter the shape of the early reflections and length, cause “cascade” overlapping of decay curve, implement reverb fade-in or fade-out,  adjust the Damping Curve (basically the EQ for the decay), or even flip the reverb into a reverse reverb.

Grab PLANETARY CONVOLUTION at Isotonik Studios by clicking >>>>>>>>>>HERE<<<<<<<<<<<

-“Planetary Convolution” self-installing Ableton Live Pack. Simply drag the .alp file into Live to install it, and the presets will show up in the “Room” and “Hall” folders under “Places”. BAM. That easy.

-“Planetary Convolution” set of .aif Stereo Impulse Responses (L + R files). These are for anyone who doesn’t have Live.

Provided as a single zip file to download. Once unzipped:
If using Ableton Live: use “Planetary Convolution by PerforModule.alp”
If using another DAW: use “Planetary Impulse Responses” zip file. Unzip it and find the aif IR files inside for usage in your Convolution plugin of choice.

Audio Demo_


ps. On the topic of celestial bodies, check out the “moon reverb” ableton preset which comes with “PerforModule – Dephaultz”.

L/R + M/S Panning Control Rack For Ableton Live. Free.

Now revealing the “LRMS Splytter“.

First, a brief and haphazard overview of the difference between L/R and M/S processing.
crude panning diagram

As shown in the hastily-drawn diagram above, L/R separates the audio into two equal halves. This is how stereo speaker systems send and receive audio, and seems intuitive enough considering humans are programmed with a stereo set of ears.

M/S processing is when things get weird. With L/R processing, there is always an L and always an R. There may not always be something playing there, but the space exists. Things are not so distinct with M/S… sometimes there may only be center or sides, and there is no arbitrary cutoff location between them! So how do you know if/when center or sides content will exist?
The Center is defined as the audio material that is exactly the same in the Left Channel as in the Right Channel. This creates a “Phantom Third Channel” (back in the day some vinyl records used to hilariously advertize this phantom channel). If the entire audio file’s audio wave is exactly the same on the left and on the right, there will ONLY be a center channel, and no sides will exist (in the diagram above, imagine the “Center” section inflated so wide the sides are squished all the way to the edges and gone). In such a case, the result is identical to a mono sound file.
Likewise, if the Left Channel’s material is completely, absolutely different than the Right Channel, there will be NO Center Channel (in the diagram above, imagine the “Center” section squeezed inward so narrow it disappears and the Edges mimic the upper “L/R” portion). In this case, the “Left and Right Halves” content would be exactly the same as the “Left and Right Edges”.
When you have an audio file which contains BOTH some difference between the left and right, AND some similarity between the left and right (drum recordings tend to be a great example of this), M/S processing can be very useful.

So what does the LRMS Splytter do then?
LRMS Splytter

With this one rack, you can:
fade between the L/R and M/S processes with no phase or gain alteration.
use L/R processing and M/S processing simultaneously in parallel to an adjustable percentage.
apply different effects to the Left Side, Right Side, Center, Left Edge, and/or Right Edge.
– solo and preview the difference between the Left or Right Half and the Left or Right Edge of any audio material and really hear the difference between what is going on with the L+R vs the M+S.
alter panning of each of the 5 chains individually (use this for subtle stereo enhancement and surreal perceptual effects).
alter the gain of each of the 5 chains individually (-infinity to +6db).
invert the Mid and Sides content with each other, completely or by percentage.

A few wacky ideas of things you could do:
-Monitoring: use this to solo (and preview) just the center, left or right half, or edges content of any audio (use the “S” buttons in the chain list). Very handy! Fade between L/R and M/S and monitor the gain meters in the chain list to be able to see the difference between the “halves” and the “edges” content.
-add a real tube preamp routed via the “External Audio Effect” device to only affect the center channel and not unbalance the stereo image (i myself have used this technique — works awesomely). You could expand on this idea by running 3 tubes and routing the center, left edge, and right edge each thru its own tube, then use the the “L/R or “M/S” knob to fade in the tubed M/S signals with the dry L/R.
-add a ring modulator enhancing the bass with a vowel-type sound the the center, then use “Invert M/S” automation to make it breathe into the sides.
-add a sidechain compressor on each edge linked to its respective half and key-filtered to be triggered by certain frequencies (i.e. on Left Edge > sidechained to Left Half) for a stereo-enhancement that pulses reactively.
-add dub delay on the left and right halves, but only automate in the L/R process when you want the delay to come in.
-add almost-obscene, thick distortion and compression to the center and edges individually, keep the left and right halves clean, start with “l/r or m/s ?” set to zero (0) and then gently apply a tasty amount of m/s process for parallel chunkiness.

Remember if you forget (haha) what the controls do, like with all PerforModule FX, tooltips are enabled: just hover your mouse over any control and info will appear in Live’s Info Box.

The possibilities are truly endless!
If you come up with an awesome way you’ve used this to process something, please tell us about it in a comment.

CLICK HERE (or on one of the images above) to snag the free “LRMS Splytter” for yourself.
{requires Ableton Live 9 to use!}


new free Multiband Reverb effect rack for Ableton Live 9

“PerforModule: MultiBand Reverb”

MultiBand Reverb Image

A reverb effect rack sending different calibrated reverb algorithms to the lows, mids, and highs. The lengths, widths, and shapes of each reverb chain are scaled compared to each other leading to very complex, smooth and lush sound which can be used from very short ambience “small box” reverbs to extremely long-tailed hall reverbs, and everything in between. The tone can be altered carefully with just a few macro controls to sculpt the sound with great versatility and ease.

Add in Low, Mid, or High reverberation, change the room size and tightness, and alter the tone with the cutoff and diffusion knobs.

Each chain of the reverb is suited for the frequencies of material sent through it.
The “Low” chain additionally saturates its output. Tip: Try using it on a kick drum or drum buss with a higher “Tightness” setting and turn up “Low Reverb” then play with the room size to add a natural boom to kick drums. 

Click the image above or these words to grab “Multiband Reverb” for free!

Check out an audio demonstration of various settings of the “Multiband Reverb” applied to drum + percussion loops_


ps check for how to save this in your Live 9 library so that it shows up in the “Places” section of the browser. Super nifty.

New free GT-8 Impulse Responses by PerforModule at Bedroom Producers Blog

I got inspired one day and sampled a convolution for each effect i could procure out of my Boss GT-8 Guitar Multi-FX pedal. I sent them off to Bedroom Producers Blog, where they are now available for FREE download.
I also made a default “Convolution Reverb Pro” preset Ableton device for each IR and made them into a pack.
I sampled them at 96k 32 bit for no compromise of quality.
If you have Ableton Live 9 + MaxForLive, you can install the effects simply by dragging the .alp file into ableton and clicking “yes”.
If you do not own Ableton Live, do not fear! You can still use these convolutions with your preferred Convolution plugin.
Click the “Boss GT-8 Impulse Responses” image to teleport to Bedroom Producers Blog and grab them!



Oh and, if you didn’t catch it already, be sure to grab the PerforModule “Pitchbend Vibrato” midi rack over at! Click the image below to go there.

PitchBend Vibrato Image

Huge thanks to Bedroom Producers Blog and Subaqueous Music both for hosting my crafts and spreading the love. The worldwide creative community is so inspiring!
And a huge thanks to you, reading this. I never imagined this blog would become what it has, and every single visitor here is partially responsible and you have my personal gratitude.

much love