Presenting “Midi Dynamics“, the latest PerforModule free pack.
It includes 4 simple yet useful devices specifically for controlling midi dynamics, and one silly device with various fun-ctions. Click image to grab!
Smooth out too-loud midi instrumentation.
Use this like you would an audio compressor, to attenuate midi notes which exceed a certain velocity. All notes exceeding the threshold will be attenuated. The further past the threshold it is and the higher the amount is set, the more a note will be attenuated. Notes below the threshold velocity will not be affected at all.
Example usage: Playing a synth instrument melody in which notes above a certain velocity become too harsh-sounding due to a filter resonance tied to the velocity. Use the midi compressor to soften only those too-harsh notes.
Smooth out too-quiet midi instrumention.
Use this like you would an audio expander, to boost midi notes which are below a certain velocity. All notes under the threshold will be boosted. The further below the threshold it is and the higher the amount is set, the more a note will be boosted. Notes above the threshold velocity will not be affected at all.
Example Usage: Trying out a melody with a different synth instrument, and the quietest notes are now much quieter than they were previously due to the new instrument’s velocity mappings. Changing the mappings or note velocities would take too much time so you just use the midi expander to lift up the quietest notes.
[Midi Compressor and Expander Special Notes: You can use Live’s “Velocity” device by itself to attenuate or boost overall note velocity; however these devices are useful for more precise and careful dynamics control, by using the threshold to set a cutoff point. Notes nearby other notes do not affect each other’s response the way an audio compressor’s transients do, so imagine them as if they have perfectly fast & noiseless attack and release.]
Set the velocity to a specific value.
Use this when you want rigid control of the velocity of an instrument, to be able to use a knob or automation to set the level at any moment to an exact setting. This overrides input velocity and all velocity effects prior to it in the chain.
Add in a bit of random fluctuation to an instrument’s velocity.
At small amounts, this will add in a bit of “humanization” and make the playback of instruments less robotic sounding. At higher settings it will vary more sporadically, until at maximum, a note of any input velocity may result in an output of any possible velocity. Tip: record a midi track with little or no dynamic variation into another midi track, routed through this device at a low setting. The new midi track will now have random difference applied to each note.
This is a rack with various tools to quickly alter a midi instrument’s input. Macros include:
-Mutant DNA: adds in a random chance that played notes will instead “improvise” and play a different note. The higher the control is set, the more chance of a mutant note, and the further away from its original value it might stray.
-Force Scale? -Key -Major or Minor?: optionally implement a scale selector to force all notes to conform to a chosen major or minor key. Niftily see the choices in the macro control’s numerical box.
-High Octave+ -Low Octave+: Blend in added octave notes (Make sure the instrument you are using has enough voices enabled to cover the added notes).
-Random Velocity: adds in velocity flux just like the “Velocity RNG” device.
-Dynamics: the default position for this is in the middle (63.5). Turn this up to drive overall note velocity; turn it down to soften overall note velocity.