One of the cool things about the internet has been the decentralization of education that has occurred, in large part due to sites that allow people to upload and share their own content with viewers directly.
Back in the day, it was much more difficult to find resources for learning, generally being limited to whatever happened to be available at the local library. As a teenager, i checked out every book on guitar that my library had, and quickly ran out of resources for developing further musical understanding, having to resort to a very limited selection of magazines, instructional VHS tapes, tablature books, etc, to advance my knowledge.
Nowadays, there is no shortage of content being continually created and easily available for instant perusal via the web—so much, in fact, that the problem is now one of sifting through the vast amount of material available, to find what is actually worthwhile. If you just choose at random, the quality is likely to be of sketchy credibility. Rather than squandering my time copying people who are mimicking other people who are copying something they read in a forum, i’d rather focus on sources that will provide more a raw investigative slant.
So which Yootoobz does PerforModule officially recommend? And whyz? Read on to find out! (Headings are links to video pages.)
“But what if i want ALL of them?” you ask. Not to worry—the Brian Funk ANTHOLOGY is available, allowing you to snag all of the packs at a greatly reduced total cost. Brian spent a ridiculous amount of time creating these devices in the first place over the years, and then i spent an obscene amount of time assessing, organizing, fine-tuning, and packaging them up into self-installing ableton live packs. The price for the full anthology might seem kinda hefty at first glance, but when you realize the scope of what you are getting, it’s actually an insane deal. (By the way, be sure to check out Brian’s awesome Music Production Podcast, if you haven’t yet.)
For the past close to a year, i’ve been working on recording and mixing a collection of original songs by Shavano, an 79-yr old piano player / singer who lives in the same mountainous, forested region of Colorado as me. He dwells in a house built with his own hands, which is powered exclusively by solar and wind energy, on an amazing property with stone-lined paths twisting here and there. It feels like something from a fantasy novel, a magical space that is totally separate from the rest of the world.
OLD NEW IDENTITY In case you haven’t heard the news, Brian Funk is no longer going by the name AfroDJMac. You can hear his thoughts on the evolution to this “new” identity at his podcast episode here.
MONIKERS CAN BE AWKWARD I recall, when i appeared on his podcast for episode 13, joking briefly about the awkwardness of monikers. So from my perspective, this shift has been a long time coming and is totally sensible. HOWEVER…. at the time it happened we were smack dab in the middle of the process of releasing a series of ADM packs, epic agglomerations of his instruments, collected into organized, self-installing, themed ableton live packs, ideal for satiating completionists who desire to access to the catalog of devices in the easiest manner possible.
We could all use less “hmm, i wonder what this is doing exactly?” and more “aha, i understand exactly what that is doing!” moments in our lives, am i right?
Well, perhaps you have everything sorted out with absolutely perfect mental clarity at all times… but nobody that i know of does. The built-in perceptual capabilities of human bodies have limitations. Consequently, methods we can use to uncover and keep track of finer layers of detail to our perceptual input than normally possible can be quite useful for stepping outside our our usual—highly subjective and somewhat amorphous—human frame of reference.
As curator of Isotonik Sounds packs for Ableton Live, i’ve gotten the chance to preview some amazing material. It’s been a great honor to be tasked with pinpointing unique and interesting artists and nurturing their product development. -animus invidious Continue reading →
Having recently acquired a new custom-built PC, various steps implemented to optimize its performance and usability were taken note of. While not an expert in such things, i figured to share these tips in case they may prove useful. Keep in mind that this guide is presuming that you already dabble in audio production and are upgrading to a new—from an existing—system.
“Testful Mastering” is a pack containing an epic effect rack which contains the entire mastering workflow for obtaining a reasonably loud and balanced master or pre-master, mimicking my real-life “Tasty Mastering” workflow using Ableton-native devices. Continue reading →
I was super stoked to be a guest on the AfroDJMac Music Production Podcast. Here’s your chance to hear my actual, real-life voice(!) The sound quality on my side is not wonderful since i was recorded over skype, but whatexer. I had a great time chatting with Brian about random stuff… the conversation decided upon its own meandering path, touching on various topics including the crafting and sharing of Ableton Live racks, VST hoarding, my custom Elemental Mixing template channel strip database, workflow optimization, cassette processing, dynamic contrast between songs on albums, and even the Legend of Zelda (nerds). All in all it was a very invigorating experience and i definitely wouldn’t turn down being a guest again at some point in the future. I myself have quite enjoyed the other podcasts, as they contain a plethora of unconventional tips which are superb for kick-starting the creative juices.
Oh, and we also dropped a couple free audio effect racks for you to grab, including something i brainstormed up quite a while ago and finally implemented perfectly: ‘Dynamic Panning’ (compresses in one direction while it expands in the opposite for source-reactive width modification).