PerforModule – Eroduxion:
Combines the total capabilities of the Redux and Erosion effects in one device (set in parallel), with the ability to fade between them.
Next time you feel like using some Erosion and/or Redux on a track, try this effect rack instead and save yourself a sec.
Stereo Panning Trick:
~Use the Pan Controls in the rack chains to separate the erosion and redux channels, one to the left and one to the right (the same value). Then use the performodule ‘Low Centerer’ effect rack immediately after ‘Eroduxion’ in order to prevent your low-frequency content such as kick drums from getting panned outwards.
Get yourself Eroduxificated for free by clicking THIS HERE LINK.
Listen to a demo of the Eroduxion rack in action:
Francis Preve ( http://www.francispreve.com/ ) posted something which inspired me to make Glue Compressor- and Saturator- based limiter device presets using their clipper functions. I went ahead and made them as one-knob fx as there weren’t too many parameters to deal with. I also decided to make a device similar to the performodule “hybrid” compressors which can be used to compare between the 3 limiter possibilities (calibrated with matching settings) in one device rack, which is a real time-saver. That one also has control over fine-tuning parameters for fully robust usage.
How to use: place one of these devices as the final device on a master track for a final master. Turn up the “push” knob to the desired setting (maximum is +9db). Try to boost it while avoiding any unpleasant distortion. The final output will not exceed 0db.
I would describe the GluLimiter as rich, the SatuLimiter as meaty, and Ableton’s Limiter as straightforward.
For the Try Limiter: Set the push knob as above. Try the 3 limiter choices and decide which one fits the piece most appropriately. Try different settings for attack and release (including auto-release if desired), and you can set the final output from -.5 to -.2 db. One workflow method is to turn push all the way up so the effect is extreme, set attack and release where they feel the most natural and dynamic, and then turn push back down to the ideal value. Then choose the limiter type that has the favorite character at those settings.
(turning the “chooz” knob during playback can cause an unwanted temporary peak. If that happens hit “shift-spacebar” twice to reset your peak meters)
Get the single-knob GluLimiter:
Get the single-knob SatuLimiter:
Get the triple-auditioning Try Limiter:
33 varied and wonderful 1-knob fx. Continue reading
Did you know that Ableton’s “Frequency Shifter” effect can be used to simulate a few different types of effects such as phaser, flanger and tremolo?
Here are 6 different effect racks each set to something different that can be achieved with the frequency shifter device, each handily set to have just a single macro control. Continue reading
Dalek Voice has just 3 macro knobs:
EXTERMINATE! – The main parameter; adds that classic Dalek rasp, from 0-100%wet.
Gate – Adds a bit of gating to make noisy source material less mushy.
Single or Flanked – Determines whether facing a single Dalek or if surrounded.
Dalek Voice sounds best on mid-to-high-pitched single-voiced vocal material with a clear contour. For extra fun, set the source clip’s warp mode to “texture” and play with the “grain size” and “flux” parameters (Nifty Tip: in Live 9 you can even automate these). Of course as always feel free to experiment with adding fx to the dalek chain, either in sequence or parallel, for your own special craziness.
Both versions are identical except for the version 9’s sound quality is slightly better due to the improved EQ Eight, and the gate has a touch of hysteresis.
Download Live 8 version -> EXTERMINATE
Download Live 9 version -> EXTERMINATE
Grit, Fuzz, Chunk & Buzz!
Here is the first batch of goodies, the uno Degratortion series: eight individual free Ableton Live 9 single-knob distortion/degradation effects. Continue reading