Francis Preve ( http://www.francispreve.com/ ) posted something which inspired me to make Glue Compressor- and Saturator- based limiter device presets using their clipper functions. I went ahead and made them as one-knob fx as there weren’t too many parameters to deal with. I also decided to make a device similar to the performodule “hybrid” compressors which can be used to compare between the 3 limiter possibilities (calibrated with matching settings) in one device rack, which is a real time-saver. That one also has control over fine-tuning parameters for fully robust usage.
How to use: place one of these devices as the final device on a master track for a final master. Turn up the “push” knob to the desired setting (maximum is +9db). Try to boost it while avoiding any unpleasant distortion. The final output will not exceed 0db.
I would describe the GluLimiter as rich, the SatuLimiter as meaty, and Ableton’s Limiter as straightforward.
For the Try Limiter: Set the push knob as above. Try the 3 limiter choices and decide which one fits the piece most appropriately. Try different settings for attack and release (including auto-release if desired), and you can set the final output from -.5 to -.2 db. One workflow method is to turn push all the way up so the effect is extreme, set attack and release where they feel the most natural and dynamic, and then turn push back down to the ideal value. Then choose the limiter type that has the favorite character at those settings.
(turning the “chooz” knob during playback can cause an unwanted temporary peak. If that happens hit “shift-spacebar” twice to reset your peak meters)
Get the single-knob GluLimiter:
Get the single-knob SatuLimiter:
Get the triple-auditioning Try Limiter:
33 varied and wonderful 1-knob fx. Continue reading →
Did you know that Ableton’s “Frequency Shifter” effect can be used to simulate a few different types of effects such as phaser, flanger and tremolo?
Here are 6 different effect racks each set to something different that can be achieved with the frequency shifter device, each handily set to have just a single macro control. Continue reading →
New PerforModule one-knobbies! GLi+tChH c-C-r>.’|)razZy_y !
These are relatively simple rhythmically-based one-knob effects, designed primarily for live performance, each based on a built-in ableton effect or two.
Individually, they are very simple and easy to understand. They are optimized to be grouped into your own more complex multi-effects to map to midi controllers, with each knob having one specific function. Continue reading →
Alien Spa Treatment. Epidermal Rubberization. Metallic Wormhole. Interdimensional Dissolution. Degraded Laser Robot Wobble Voice. Earth and Space Elementals. Ghastly Vocoding.
Here is the third batch of fun treats, the uno Modutation series: eight individual free Ableton Live 9 single-knob modulation effects, each made with a different base audio effect, and calibrated to have interesting usefulness at any setting. This one was the most fun to create so far. These have been road-tested and honed over the course of various live performances. Continue reading →
Here is the second batch of goodies, the uno Sweemps series: eight individual free Ableton Live 9 single-knob hi/lo filter sweep effects, each made with a different base audio effect. There are also versions which add delay, for extra pizzazz. I love using these things for live performance to do different types of epic filter sweeps. Continue reading →
Grit, Fuzz, Chunk & Buzz!
Here is the first batch of goodies, the uno Degratortion series: eight individual free Ableton Live 9 single-knob distortion/degradation effects. Continue reading →