New free GT-8 Impulse Responses by PerforModule at Bedroom Producers Blog

I got inspired one day and sampled a convolution for each effect i could procure out of my Boss GT-8 Guitar Multi-FX pedal. I sent them off to Bedroom Producers Blog, where they are now available for FREE download.
I also made a default “Convolution Reverb Pro” preset Ableton device for each IR and made them into a pack.
I sampled them at 96k 32 bit for no compromise of quality.
If you have Ableton Live 9 + MaxForLive, you can install the effects simply by dragging the .alp file into ableton and clicking “yes”.
If you do not own Ableton Live, do not fear! You can still use these convolutions with your preferred Convolution plugin.
Click the “Boss GT-8 Impulse Responses” image to teleport to Bedroom Producers Blog and grab them!

 

~`~

Oh and, if you didn’t catch it already, be sure to grab the PerforModule “Pitchbend Vibrato” midi rack over at subaqueousmusic.com! Click the image below to go there.

PitchBend Vibrato Image

Huge thanks to Bedroom Producers Blog and Subaqueous Music both for hosting my crafts and spreading the love. The worldwide creative community is so inspiring!
And a huge thanks to you, reading this. I never imagined this blog would become what it has, and every single visitor here is partially responsible and you have my personal gratitude.

much love
~animus

Handy Tip: Custom Metronome Sounds in Ableton

Sick of the default Ableton metronome sound?

Since it is already described more eloquently than i could, i recommend Sonic Bloom’s nifty guide:
http://sonicbloom.net/en/ableton-live-tutorial-how-to-change-the-metronome-sound/

Do that thing.

Here’s what my current metronome sounds like.

and remember: NEVER HESITATE TO MAKE LIFE MORE FUN!

Free “Chopper” Effect Rack

Here’s a free effect rack.  It allows you to chop up your audio, with a rate knob that fades between 1, 1/2, 1/4, 1/8, 1/16, and 1/32 notes, and avoids triplets. Or, the rhythm can be switched to “Triplets” mode instead. There is built-in extra gating for adjustable dynamics, an “LFO Type” knob to select between 4 different flavors of chopping including random, and an “invert LFO” switch which will make the chop come in where it was going out and vice versa.

Good for live performance, especially on sustained synth tones.

Enjoy~
Chopper Image

<- click image to D/L “Chopper”

~`~

p.s.

Bonus shoutouts to ISOTONIK STUDIOS

Ableton Live & MaxforLive


The brain behind PerforModule has had the pleasure to delve into the “Modular Series” set of devices and wow is there some truly innovative and useful stuff in there! “Follow” adds some much-desired added functionality to clip launching, such as the ability of making a clip launch the next clip when it ends, no matter the length. “Smart” is a great multi-knob to map anything to anything, with the ability to set response curves. So you could for example have one knob that controls parameters in two or more different effects parameters in different tracks in your set, and one of them could ramp up then ramp back down while another just ramps up. Endless possibilities. “Looper” adds extra control to using the loop brace in arrangement view, and there are 3 super-wild glitch effects as well as more nifty gadgets. What’s super cool? If you get one of the Isotonik sets, you get lifetime updates to all the devices.
Check out “Follow” here: https://isotonikstudios.com/product/follow/

 

Handy Ableton Tip – Change a Macro Name After It’s Been Mapped.

Problem:
You may have noticed that after you map a macro knob to another macro, you can then no longer rename it either by clicking on it and pressing [CMD-R (mac) / CTRL-R (windows)] or by right-clicking it and selecting “rename” — the context menu option disappears for that macro =(
Image
Solution?
As long as you have at least one unmapped macro in the rack, click on an unmapped macro. Then press “Tab” until the macro whose name you want to change is highlighted.
You are free to rename it as you like now…sweet!
If the macro it is nested to is currently unnamed, its name will reflect the new change as well.

Image

I went a long time working in Ableton before realizing you can do this, so maybe it slipped under some other radars as well, so i figured i’d pass it along as a quick tip. If you make your own Racks all the time like me being able to rename a macro after it has been mapped if desired is quite useful.

That’s all for today… more heady packs in development.

Peace!

Updated set of free special racks to economize cpu: “The Enablerz”

“The Enablerz”

The Enablerz browser image
What they are:  An Ableton Live rack (one each for effects in audio tracks, effects in return tracks, midi effects, and midi instruments)  used to temporarily disable devices without deleting them, thereby freeing up some ever-precious CPU.

Features:  Frees up CPU of contained racks. Click-free realtime operation (feel free to enable/disable while audio is routing through). Input Trim & Output Gains.The Enablerz - Track

Continue reading

Limitization – 3 free Limiter Devices for Ableton Live 9

Francis Preve ( http://www.francispreve.com/ ) posted something which inspired me to make Glue Compressor- and Saturator- based limiter device presets using their clipper functions. I went ahead and made them as one-knob fx as there weren’t too many parameters to deal with. I also decided to make a device similar to the performodule “hybrid” compressors which can be used to compare between the 3 limiter possibilities (calibrated with matching settings) in one device rack, which is a real time-saver. That one also has control over fine-tuning parameters for fully robust usage.

How to use: place one of these devices as the final device on a master track for a final master. Turn up the “push” knob to the desired setting (maximum is +9db). Try to boost it while avoiding any unpleasant distortion. The final output will not exceed 0db.
I would describe the GluLimiter as rich, the SatuLimiter as meaty, and Ableton’s Limiter as straightforward.
For the Try Limiter: Set the push knob as above. Try the 3 limiter choices and decide which one fits the piece most appropriately. Try different settings for attack and release (including auto-release if desired), and you can set the final output from -.5 to -.2 db. One workflow method is to turn push all the way up so the effect is extreme, set attack and release where they feel the most natural and dynamic, and then turn push back down to the ideal value. Then choose the limiter type that has the favorite character at those settings.
(turning the “chooz” knob during playback can cause an unwanted temporary peak. If that happens hit “shift-spacebar” twice to reset your peak meters)

Get the single-knob GluLimiter:
CLICK HERE

Get the single-knob SatuLimiter:
CLICK HERE

Get the triple-auditioning Try Limiter:
CLICK HERE

Performodule Fx

~`~

 

PerforModule – uno Freqification Series – six free Ableton Live 9 single-knob effects

Did you know that Ableton’s “Frequency Shifter” effect can be used to simulate a few different types of effects such as phaser, flanger and tremolo?

Here are 6 different effect racks each set to something different that can be achieved with the frequency shifter device, each handily set to have just a single macro control. Continue reading

Magical Gate: an input-receptive Gate device for Ableton 9 + Max For Live

Magical Gate

— A gate with soul.

Magical Gate

“Magical Gate” is a gate effect with a magical touch — it moves according to the input signal. It doesn’t cut off sounds as linearly as a normal gate.

It’s organic. Kinda like it’s alive or something. It is more reactive and sensitive to the host material. It’s less cold and digital and robotic and linear than most gates.
…You could say it has a soul. Continue reading

PerforModule – uno Glitchification series: 9 free Ableton Live 9 single-knob glitch effects

 New PerforModule one-knobbies! GLi+tChH c-C-r>.’|)razZy_y !

These are relatively simple rhythmically-based one-knob effects, designed primarily for live performance, each based on a built-in ableton effect or two.
Individually, they are very simple and easy to understand. They are optimized to be grouped into your own more complex multi-effects to map to midi controllers, with each knob having one specific function. Continue reading