Limitization – 3 free Limiter Devices for Ableton Live 9

Francis Preve ( http://www.francispreve.com/ ) posted something which inspired me to make Glue Compressor- and Saturator- based limiter device presets using their clipper functions. I went ahead and made them as one-knob fx as there weren’t too many parameters to deal with. I also decided to make a device similar to the performodule “hybrid” compressors which can be used to compare between the 3 limiter possibilities (calibrated with matching settings) in one device rack, which is a real time-saver. That one also has control over fine-tuning parameters for fully robust usage.

How to use: place one of these devices as the final device on a master track for a final master. Turn up the “push” knob to the desired setting (maximum is +9db). Try to boost it while avoiding any unpleasant distortion. The final output will not exceed 0db.
I would describe the GluLimiter as rich, the SatuLimiter as meaty, and Ableton’s Limiter as straightforward.
For the Try Limiter: Set the push knob as above. Try the 3 limiter choices and decide which one fits the piece most appropriately. Try different settings for attack and release (including auto-release if desired), and you can set the final output from -.5 to -.2 db. One workflow method is to turn push all the way up so the effect is extreme, set attack and release where they feel the most natural and dynamic, and then turn push back down to the ideal value. Then choose the limiter type that has the favorite character at those settings.
(turning the “chooz” knob during playback can cause an unwanted temporary peak. If that happens hit “shift-spacebar” twice to reset your peak meters)

Get the single-knob GluLimiter:
CLICK HERE

Get the single-knob SatuLimiter:
CLICK HERE

Get the triple-auditioning Try Limiter:
CLICK HERE

Performodule Fx

~`~

 

How to Organize User & Plugin Presets Like a Boss in Ableton 9 Using the Hidden Architecture

Problem: Hot-swapping… have to navigate to all these different folders. Wah! So annoying. End up neglecting certain folders of presets due to their unfortunate locations. Presets get sad and lonely, and begin to wither.

Solution:
Ableton 9 has a built-in secret “Folder Architecture”. Fiddling around with how things appear in the browser i discovered that if you make a folder with the same name as one of the built-in categories (for instance: “Amp Simulation”) in your User Library Presets folders, any presets in that folder will appear in the respective folder of the same name in the “Categories” pane of the browser (instrument, drum, audio effect, or midi effect racks). Customizing this way provides more unified access to all factory and user-created content in the same location, which makes my life easier. If i want an amp coloration effect preset, for instance, i have one single folder i can open up where i see all user AND factory presets (and even vst and max for live presets) all in one nice list together, easy to hot-swap and preview amongst. How to do this? Simply save files in your user library, organized however you like, but in folders with specific names. That’s all! The text has to be verbatim. There are only certain folder names you can use, which i figured out with experimentation. There are quite possibly other folder names which work, or even a process i am not aware of to be able to create one’s own categories (that would be really cool). But for now we are stuck with using these specific category names. Continue reading